"Quis numerare queat: II. Audivit ipse" by Loyset Compère, Owain Park, The Gesualdo Six was released on October 29, 2021. The duration of Quis numerare queat: II. Audivit ipse is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Quis numerare queat: II. Audivit ipse's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in The Gesualdo Six, Johannes Ockeghem, Owain Park, Josquin des Prez, Loyset Compère, Antoine Brumel, Pierre de la Rue, Antoine de Févin, Jean Mouton, Adrian Willaert, Heinrich Isaac, Jean L'héritier's "Josquin's Legacy: Motets of the 15th & 16th Centuries" album is number 8 out of 30. On top of that, United Kingdom appears to be the country where this track was created. Quis numerare queat: II. Audivit ipse is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Quis numerare queat: II. Audivit ipse by Loyset Compère, Owain Park, The Gesualdo Six to be Adagio (slowly with great expression) because the track has a tempo of 69 BPM, a half-time of 34BPM, and a double-time of 138 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Feria quarta: Offertory. Portas caeli | Gloriae Dei Cantores, Unknown Artist, Elizabeth C. Patterson | A♭ Minor | 1 | 1A | 83 BPM | ||
Scaramella fa la galla | Loyset Compère, Doulce Mémoire, Denis Raisin-Dadre, Hugues Primard, Matthieu Le Levreur | F Minor | 2 | 4A | 92 BPM | ||
Qui ne regrettoit | Jean Mouton, The Gesualdo Six, Owain Park | G Minor | 1 | 6A | 91 BPM | ||
Trattado de glosas: Recercadas primera y quarta sobre tenores: I. | Diego Ortiz, Les Basses Réunies, Bruno Cocset | B Major | 1 | 1B | 97 BPM | ||
Guerrero: Trahe me post te | A5 Vocal Ensemble, Francisco Guerrero | B Major | 1 | 1B | 65 BPM | ||
Missa Jubilate Deo: Kyrie | Schola Laudis, Kevin Allen | A♭ Major | 4 | 4B | 124 BPM | ||
Te Deum, H. 146: IV. Te per orbem terrarum | Marc-Antoine Charpentier, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Clément Debieuvre, François Joron, Jean-Christophe Lanièce | B♭ Major | 4 | 6B | 106 BPM | ||
Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): Pontifical Wishes | Komitas, Latvian Radio Choir, Sigvards Kļava | G Minor | 0 | 6A | 82 BPM | ||
Pensant au bien | Loyset Compère, Frédéric Betous, Edouard Hazebrouck, Didier Chevalier, La Main Harmonique | F♯ Major | 0 | 2B | 110 BPM | ||
Compère: Garissés moy | Loyset Compère, Wiener Blockflötenensemble | F Major | 1 | 7B | 81 BPM |
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