Diego Ortiz, Les Basses Réunies, Bruno Cocset's 'Trattado de glosas: Recercadas primera y quarta sobre tenores: I.' came out on March 8, 2024. With Trattado de glosas: Recercadas primera y quarta sobre tenores: I. being less than two minutes long, at 1:24, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Bruno Cocset, Les Basses Réunies's "La Nascita del Violoncello: Napoli - Bologna - Modena" album is number 2 out of 69. On top of that, France appears to be the country where this track was created. In terms of popularity, Trattado de glosas: Recercadas primera y quarta sobre tenores: I. is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Trattado de glosas: Recercadas primera y quarta sobre tenores: I. by Diego Ortiz, Les Basses Réunies, Bruno Cocset to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Clarinas y Trompetas | Gaspar Sanz, Rolf Lislevand, Eduardo Eguez, Beatrice Pornon, Adela Gonzalez-Campa | D Major | 1 | 10B | 120 BPM | ||
La gambade: Menuet | Francesca Torelli, Charles Mouton | G Minor | 0 | 6A | 130 BPM | ||
Le nymphe di Rheno, Op. 8: Suite in G Minor: II. Allegro - Adagio | Johannes Schenck, Lorenz Duftschmid, Sophie Watillon, Rolf Lislevand, Wolfgang Zerer | F♯ Minor | 1 | 11A | 74 BPM | ||
Sonata for Recorder and Continuo in D Minor: III. Allegro | James Paisible, Tamar Lalo, La Ritirata, Josetxu Obregon | C Major | 4 | 8B | 95 BPM | ||
Susato: Het derdren musyck boexken "Danserye": Ronde VII "Il estoit une fillette" (D'après Janequin) | Tylman Susato, Michel Piguet, Ricercare-Ensemble Zürich | B♭ Major | 1 | 6B | 73 BPM | ||
La Monarcha | Andrea Falconieri, Les Basses Réunies, Bruno Cocset | B Major | 1 | 1B | 97 BPM | ||
Fantasía del Primer Tono - Libro 2 | Luis de Narváez, José Akel | G Minor | 2 | 6A | 136 BPM | ||
Ruggiero | Giovanni Battista Vitali, Les Basses Réunies, Bruno Cocset | A Major | 3 | 11B | 132 BPM | ||
Le nymphe di Rheno, Op. 8: Sonata No. 1 in B Minor: III. Corrente | Johannes Schenck, Margaret Little, Susie Napper, Les Voix Humaines | A Minor | 1 | 8A | 117 BPM | ||
La soave melodia | Andrea Falconieri, Luca Pianca | E Minor | 0 | 9A | 91 BPM |
Section: 0.7064046859741211
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