"Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): The Holy One" by Komitas, Hovhannes Nersesyan, Agate Burkina, Jānis Kurševs, Latvian Radio Choir, Sigvards Kļava was released on July 10, 2020. The duration of Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): The Holy One is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): The Holy One's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Komitas, Latvian Radio Choir, Sigvards Kļava's "Komitas: Divine Liturgy" album is number 23 out of 31. On top of that, United States appears to be the country where this track was created. Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): The Holy One is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): The Holy One by Komitas, Hovhannes Nersesyan, Agate Burkina, Jānis Kurševs, Latvian Radio Choir, Sigvards Kļava to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
O Crux Ave | François d'Arjac, Choeur de Profundis | F♯ Minor | 2 | 11A | 127 BPM | ||
3 Sacred Hymns: No. 1. Bogoroditse devo, raduysya, Blagodotnaya Marie (Hail Mary, full of Grace) | Alfred Schnittke, SWR Vokalensemble Stuttgart, Marcus Creed | C Minor | 0 | 5A | 80 BPM | ||
Alleluia - Znamenny Chant, Tone 5; Arr. B. Sheehan | St. Tikhon's Seminary & Monastery Choirs, Benedict Sheehan | D♭ Major | 3 | 3B | 136 BPM | ||
In I Vesperis: Lectio. Naura divina | Etienne de Liège, Psallentes, Hendrik Vanden Abeele | D Minor | 2 | 7A | 116 BPM | ||
Hymn of Kassiane | Saint Vladimir's Seminary Women's Sextet | G Major | 2 | 9B | 101 BPM | ||
7 Magnificat Antiphons: No. 2. O Adonai | Arvo Pärt, Latvian Radio Choir, Sigvards Kļava | D Major | 0 | 10B | 76 BPM | ||
From the Royal Glory | Igor Ushakov, Men's Choir of the Valaam Singing Culture Institute | F♯ Minor | 1 | 11A | 127 BPM | ||
Liturgical Chants: 4 Spiritual Songs: Alleluia | Valentin Silvestrov, Ieva Ezeriete, Karlis Rutentals, Dace Strautmane, Latvian Radio Choir, Sigvards Kļava | G Major | 0 | 9B | 128 BPM | ||
Missa Praeter rerum seriem: II. Gloria | George de La Hèle, El León de Oro, Peter Phillips | G Major | 2 | 9B | 142 BPM | ||
Plecat-or Plecat | Byzantion | E Minor | 6 | 9A | 117 BPM |
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