"Alleluia - Znamenny Chant, Tone 5; Arr. B. Sheehan" by St. Tikhon's Seminary & Monastery Choirs, Benedict Sheehan was released on June 6, 2018. With Alleluia - Znamenny Chant, Tone 5; Arr. B. Sheehan being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 16 out of 34 in Divine Liturgy: Sunday of the Paralytic by St. Tikhon's Seminary & Monastery Choirs, Benedict Sheehan. Going off of the ISRC code of this track, we detected that the origin of this track is from Turks and Caicos Islands. Based on our statistics, Alleluia - Znamenny Chant, Tone 5; Arr. B. Sheehan's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Alleluia - Znamenny Chant, Tone 5; Arr. B. Sheehan by St. Tikhon's Seminary & Monastery Choirs, Benedict Sheehan is Allegro (fast, quick, and bright), since this song has a tempo of 136 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Antiphonae: Domun Tuam. Domus Mea. Haec Est. Bene Fundata. Lapides Pretiosi | Popular, Coro de Monjas Benedictinas del Real Monasterio de San Pelayo de Oviedo | D♭ Major | 1 | 3B | 128 BPM | ||
Sequentia: Veni, Sancte Spiritus, Modo I | Popular, Coro de Monjas Benedictinas del Real Monasterio de San Pelayo de Oviedo | G Major | 0 | 9B | 129 BPM | ||
Psalm 50 | St. Tikhon's Mission Choir, Benedict Sheehan | F Major | 3 | 7B | 106 BPM | ||
Evlogitaria (Byzantine Chant, Tone 5) | St. Symeon Orthodox Church Ensemble "Antiphony" | D♭ Minor | 1 | 12A | 142 BPM | ||
Alkupsalmi | N. Bahmetjev, Tampere Orthodox Choir, Johtajana Risto Matsi | F♯ Major | 1 | 2B | 105 BPM | ||
Today He Who Hung the Earth | Holy Cross Greek Orthodox School of Theology St. Romanos the Melodist Byzantine Choir | E♭ Major | 0 | 5B | 87 BPM | ||
Sus La Naltul Ceriului | Byzantion | F Major | 3 | 7B | 128 BPM | ||
Ad coenam ogni providi | Coro dei monaci dell'Abbazia di Chiaravalle milanese, Giuseppe Gaffurini | F Major | 1 | 7B | 132 BPM | ||
Regina caeli: I. Regina caeli laetare | Pierre de Manchicourt, El León de Oro, Marco Antonio García de Paz | G Major | 2 | 9B | 142 BPM | ||
It Is Meet | The Choir of the Dormition Church of the Novodevichy Convent | F♯ Major | 2 | 2B | 77 BPM |
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