"Sestina, prima parte: "Incenerite spoglie"" by Claudio Monteverdi, La Chapelle Vocale de l'Université de Lausanne, Jean-Christophe Aubert was released on 1993. The duration of Sestina, prima parte: "Incenerite spoglie" is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Sestina, prima parte: "Incenerite spoglie"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in La Chapelle Vocale de l'Université de Lausanne, Jean-Christophe Aubert's "Monteverdi: Sestina & Schütz: Musikalische Exequien, Op. 7, SWV 279-281" album is number 1 out of 17. On top of that, Switzerland appears to be the country where this track was created. Sestina, prima parte: "Incenerite spoglie" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sestina, prima parte: "Incenerite spoglie" by Claudio Monteverdi, La Chapelle Vocale de l'Université de Lausanne, Jean-Christophe Aubert to be Adagio (slowly with great expression) because the track has a tempo of 69 BPM, a half-time of 34BPM, and a double-time of 138 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Madrigals, Book 9: Non voglio amare, SV 172 | Claudio Monteverdi, Ian Partridge, Nigel Rogers, Christopher Keyte, Colin Tilney, Werner Kauffmann, Jürgen Jürgens, The Monteverdi Choir | C Major | 2 | 8B | 67 BPM | ||
Matthaus-Passion, SWV 479: Introitus | Heinrich Schütz, Julian Podger, Jakob Bloch Jespersen, Ars Nova Copenhagen, Paul Hillier | C Major | 2 | 8B | 86 BPM | ||
Confirma hoc Deus | Jacobus Gallus, Pro Musica, Szabó Dénes | A Major | 1 | 11B | 66 BPM | ||
Františkovi Makovičkovi do usínání | Pavel Jurkovič, Hana Blažíková, Tomáš Král, Kateřina Ghannudi, Hana Fleková | G Major | 1 | 9B | 79 BPM | ||
In nomine Iesu: Patris sapientia | Loyset Compère, Odhecaton, Paolo da Col | B Major | 1 | 1B | 88 BPM | ||
Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): Spirit of God | Komitas, Latvian Radio Choir, Sigvards Kļava | A Major | 1 | 11B | 177 BPM | ||
Laudans exultet gaudio per doppio coro, strumenti e b. c. (Giovanni Croce 1605) | Giovanni Croce, Valvasensi Cantores et Musici, Gruppo Corale San Giovanni, Domenico Innominato, La Chambree du Roy Renée, Marco Rossi | F Major | 1 | 7B | 116 BPM | ||
Ecce vicit Leo | Peter Philips, The Monteverdi Choir, John Eliot Gardiner | B♭ Major | 2 | 6B | 118 BPM | ||
Pust | Susanne Rosenberg, Swedish Chamber Choir, Simon Phipps | E Minor | 2 | 9A | 167 BPM | ||
Canticles & Prayers, Inexpressible Wonder: No. 3, It Is Worth Eating | Georgy Sviridov, Latvian Radio Choir, Sigvards Kļava | F Major | 0 | 7B | 77 BPM |
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