"Threni, Lamentations of Jeremiah: III. De elegia tertia, Querimonia" by Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra, London Philharmonic Choir, Maria Ostroukhova, Sam Furness, Joel Williams, Theodore Platt, Joshua Bloom was released on April 26, 2024. Since Threni, Lamentations of Jeremiah: III. De elegia tertia, Querimonia is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra, London Philharmonic Choir's "Jurowski conducts Stravinsky, Vol. 3 (Live)" album is number 3 out of 43. On top of that, United Kingdom appears to be the country where this track was created. Threni, Lamentations of Jeremiah: III. De elegia tertia, Querimonia is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Threni, Lamentations of Jeremiah: III. De elegia tertia, Querimonia by Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra, London Philharmonic Choir, Maria Ostroukhova, Sam Furness, Joel Williams, Theodore Platt, Joshua Bloom to be Adagio (slowly with great expression) because the track has a tempo of 67 BPM, a half-time of 34BPM, and a double-time of 134 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater, FP 148: VIII. Fac ut ardeat | Francis Poulenc, Ensemble Aedes, Les Siècles, Mathieu Romano | D♭ Minor | 1 | 12A | 175 BPM | ||
Romanzen, Book 1, Op. 69: No. 5. Meerfey | Robert Schumann, Aquarius, Marc Michael de Smet | G Minor | 0 | 6A | 75 BPM | ||
Requiem, Op. 9: II. Kyrie | Maurice Duruflé, Robert Shaw, Atlanta Symphony Orchestra | F Major | 2 | 7B | 70 BPM | ||
Requiem, Op. 9: IV. Sanctus | Maurice Duruflé, Maîtrise de Saint-Christophe de Javel, Yves Castagnet, Henri Chalet | B♭ Major | 0 | 6B | 131 BPM | ||
Mass No. 2 in F Major, Hob.XXII:1, "Missa brevis": Sanctus | Joseph Haydn, Trinity Church Choir, New York, Rebel Baroque Orchestra, Owen Burdick | C Major | 3 | 8B | 92 BPM | ||
Elijah, Op.70, MWV A25 / Part 1: "For He shall give His angels charge" - "Now Cherith's brook is dried up" | Felix Mendelssohn, Anne Sofie von Otter, Yvonne Kenny, Anne Dawson, Jean Rigby, Anthony Rolfe Johnson, Kim Begley, Thomas Allen, John Connell, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 1 | 9B | 108 BPM | ||
Te deum, LWV 55: IV. Patrem immensae majestatis | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 6 | 6B | 94 BPM | ||
Speak to My Heart | Jakarta Oratorio Society | E Major | 5 | 12B | 132 BPM | ||
Swan Lake, Op. 20, TH 12 (1877 Version), Act I: No. 4c Pas de trois. III. Allegro semplice | Pyotr Ilyich Tchaikovsky, Vladimir Jurowski, State Academic Symphony Orchestra of Russia "Evgeny Svetlanov" | F♯ Minor | 1 | 11A | 139 BPM | ||
Symphony No. 1 in C Minor, Op. 68: III. Un poco allegretto e grazioso | Johannes Brahms, Vladimir Jurowski, London Philharmonic Orchestra | A♭ Major | 0 | 4B | 83 BPM |
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