"Mass No. 2 in F Major, Hob.XXII:1, "Missa brevis": Sanctus" by Joseph Haydn, Trinity Church Choir, New York, Rebel Baroque Orchestra, Owen Burdick was released on January 1, 2007. With Mass No. 2 in F Major, Hob.XXII:1, "Missa brevis": Sanctus being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Joseph Haydn's "Haydn: Mass No. 2 in F Major, "Missa Brevis" / Mass No. 3 in C Major, "Missa Cellensis"" album is number 4 out of 25. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Mass No. 2 in F Major, Hob.XXII:1, "Missa brevis": Sanctus is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mass No. 2 in F Major, Hob.XXII:1, "Missa brevis": Sanctus by Joseph Haydn, Trinity Church Choir, New York, Rebel Baroque Orchestra, Owen Burdick to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Versicle/Response: Deus in adjutorium/Domine in adiuvandum | Claudio Monteverdi, Choir Of The Enlightenment, Eamonn Dougan, Robert Howarth, Orchestra of the Age of Enlightenment | E♭ Major | 1 | 5B | 82 BPM | ||
Graduale: III. Non timebit | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | C Minor | 2 | 5A | 83 BPM | ||
Mass for unaccompanied double choir: V. Agnus Dei | Frank Martin, RIAS Kammerchor, Daniel Reuss | E Minor | 0 | 9A | 84 BPM | ||
String Quartet in D Major, Hob.III:42, (Op. 33 No. 6): 4. Finale allegretto | Joseph Haydn, The Angeles String Quartet | D Major | 1 | 10B | 126 BPM | ||
Israel in Egypt, HWV 54: Part III, Moses Song: The earth swallowed them (Chorus) | George Frideric Handel, Laura Albino, Nils Brown, Jennifer Ens Modolo, Peter Mahon, Eve Rachel McLeod, Jason Nedecky, Bud Roach, Jennie Such, Sean Watson, Aradia Ensemble, Kevin Mallon | B Major | 3 | 1B | 108 BPM | ||
Tenebrae Responsories - Matins Responsories for Maundy Thursday: Nocturn III - Eram quasi agnus innocens | Tomás Luis de Victoria, I Fagiolini, Robert Hollingworth | D♭ Minor | 0 | 12A | 83 BPM | ||
Requiem, Op. 9: Agnus Dei | Maurice Duruflé, Collegium Vocale Seoul | G Major | 2 | 9B | 169 BPM | ||
Exulta, gaude, filia Sion | Giacomo Carissimi, Susan Hemington Jones, Sarah Pendlebury, Paula Chateauneuf, Hannelore Devaere, Timothy Roberts, Paul McCreesh | F Major | 1 | 7B | 89 BPM | ||
Gaudete in Domino | Giaches de Wert, Stile Antico | G Minor | 3 | 6A | 116 BPM | ||
Missa Pontificalis: Benedictus | Lorenzo Perosi, Coro dell'Accademia Stefano Tempia, Michele Frezza, Massimo Nosetti | F Major | 0 | 7B | 144 BPM |
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