"Tenebrae Responsories - Matins Responsories for Maundy Thursday: Nocturn III - Eram quasi agnus innocens" by Tomás Luis de Victoria, I Fagiolini, Robert Hollingworth was released on March 1, 2024. The duration of Tenebrae Responsories - Matins Responsories for Maundy Thursday: Nocturn III - Eram quasi agnus innocens is about 3 minutes long, at 3:12. Based on our data, "Tenebrae Responsories - Matins Responsories for Maundy Thursday: Nocturn III - Eram quasi agnus innocens" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Victoria: Tenebrae Responsories by Tomás Luis de Victoria, I Fagiolini, Robert Hollingworth. The song's track number on the album is #4 out of 18 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Tenebrae Responsories - Matins Responsories for Maundy Thursday: Nocturn III - Eram quasi agnus innocens is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Tenebrae Responsories - Matins Responsories for Maundy Thursday: Nocturn III - Eram quasi agnus innocens by Tomás Luis de Victoria, I Fagiolini, Robert Hollingworth has a tempo of 83 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Tenebrae Responsories - Matins Responsories for Maundy Thursday: Nocturn III - Eram quasi agnus innocens being at 83 BPM, the half-time would be 42 BPM with a double-time of 166 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sub tuum praesidium, H. 28 | Marc-Antoine Charpentier, Ensemble Correspondances, Sébastien Daucé | G Minor | 1 | 6A | 126 BPM | ||
Messa a quattro voci, SV 190: VI. Agnus dei | Claudio Monteverdi, Krijn Koetsveld, Le Nuove Músiche | G Major | 3 | 9B | 75 BPM | ||
Israel in Egypt, HWV 54, Pt 3. "Moses' Song": IX. Who is like unto thee (Chorus) | George Frideric Handel, Apollo's Fire, Jeannette Sorrell, Apollo's Singers | B Major | 4 | 1B | 110 BPM | ||
O crux benedicta | Mignarda | A♭ Minor | 0 | 1A | 90 BPM | ||
Missa pro defunctis: II. Kyrie | Johann Caspar Kerll, Vox Luminis, Lionel Meunier, L'Achéron | F Major | 1 | 7B | 138 BPM | ||
Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): Spirit of God | Komitas, Latvian Radio Choir, Sigvards Kļava | A Major | 1 | 11B | 177 BPM | ||
Rimanti in pace, SV 74 | Claudio Monteverdi, I Fagiolini, Robert Hollingworth | G Major | 0 | 9B | 137 BPM | ||
Te Deum, H. 146: VI. Te ergo quæsumus famulis tuis subveni | Marc-Antoine Charpentier, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Jehanne Amzal | B♭ Major | 4 | 6B | 106 BPM | ||
Cantica Beatae Virginis - Hymn Ave Maria, For 4 Voices (Attributed; 1575-1600) | Jordi Savall, Tomás Luis de Victoria | D Minor | 1 | 7A | 167 BPM | ||
Divini occhi sereni | Philippe Verdelot, Profeti Della Quinta | D♭ Minor | 1 | 12A | 83 BPM |
Section: 0.5948874950408936
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