Carl Orff, Orchester der Deutschen Oper Berlin, Eugen Jochum, Chor der Deutschen Oper Berlin's 'Carmina Burana / Fortuna Imperatrix Mundi: I. O Fortuna' came out on January 1, 1988. The duration of Carmina Burana / Fortuna Imperatrix Mundi: I. O Fortuna is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Carmina Burana / Fortuna Imperatrix Mundi: I. O Fortuna's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Orff: Carmina Burana". In this album, this song's track order is #1. Carmina Burana / Fortuna Imperatrix Mundi: I. O Fortuna is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Carmina Burana / Fortuna Imperatrix Mundi: I. O Fortuna by Carl Orff, Orchester der Deutschen Oper Berlin, Eugen Jochum, Chor der Deutschen Oper Berlin having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gymnopédie No.1: Lent et douloureux | Erik Satie, Jean-Marc Luisada | G Major | 0 | 9B | 68 BPM | ||
Mozart: Requiem in D Minor, K. 626: III. Dies irae | Nikolaus Harnoncourt, Vienna State Opera Chorus | G Minor | 4 | 6A | 77 BPM | ||
Ave Maria, "Ellens Gesang III", D839 - Excerpt | Franz Schubert, Gundula Janowitz, Irwin Gage | B♭ Major | 0 | 6B | 71 BPM | ||
Io sono docile | Gioachino Rossini, Roberta Peters, Erich Leinsdorf, Metropolitan Opera Orchestra | F Major | 3 | 7B | 83 BPM | ||
Antigonae: "O all ihr Bürger" | Carl Orff, Hetty Plümacher, Bavarian Radio Symphony Orchestra, Ferdinand Leitner | A Minor | 0 | 8A | 135 BPM | ||
Symphony No. 5 In C Sharp Minor: 4. Adagietto (Sehr langsam) - Excerpt | Gustav Mahler, Bavarian Radio Symphony Orchestra, Rafael Kubelík | B♭ Major | 0 | 6B | 93 BPM | ||
Carmina Burana Suite, "Cantiones profanae" (arr. J. Krance): VII. Amor volat undique (The Goddess of Love flies everywhere) | John Krance, Carl Orff, Peabody Conservatory Wind Ensemble, Harlan D. Parker | G Major | 0 | 9B | 71 BPM | ||
Götterdämmerung / Dritter Aufzug: Siegfried's Funeral March | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | G Minor | 0 | 6A | 68 BPM | ||
Pergolesi: Stabat Mater: I. Stabat Mater dolorosa | Giovanni Battista Pergolesi, Philippe Jaroussky, Julia Lezhneva, Diego Fasolis, I Barocchisti | E Minor | 0 | 9A | 138 BPM | ||
Scheherezade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Pelin Halkacı Alkın, Sascha Goetzel, Borusan Istanbul Philharmonic Orchestra | E Minor | 1 | 9A | 70 BPM |
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