Nikolaus Harnoncourt, Vienna State Opera Chorus's 'Mozart: Requiem in D Minor, K. 626: III. Dies irae' came out on 1982. With Mozart: Requiem in D Minor, K. 626: III. Dies irae being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Nikolaus Harnoncourt's "Mozart : Requiem (Elatus)" album is number 3 out of 14. Mozart: Requiem in D Minor, K. 626: III. Dies irae is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mozart: Requiem in D Minor, K. 626: III. Dies irae by Nikolaus Harnoncourt, Vienna State Opera Chorus to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations on the theme Gott erhalte Franz, den Kaiser in G Major, Hob.III:77: II | Franz Joseph Haydn, Jenő Jandó | G Major | 0 | 9B | 115 BPM | ||
Sanctus | Giuseppe Verdi, Carmen Giannattasio, Veronica Simeoni, Alxander Timchenko, Carlo Colombara, Yuri Temirkanov, St. Petersburg Philharmonic Orchestra | F Major | 3 | 7B | 114 BPM | ||
Brandenburg Concerto No. 3 in G major, BWV 1048: Allegro | Rudolf Baumgartner | G Major | 6 | 9B | 122 BPM | ||
L'Estro Armonico, Op. 3 - Concerto No. 9 in D Major for Violin and Strings, RV 230: I. Allegro | Janacek Chamber Orchestra, Bohuslav Matousek | D Major | 4 | 10B | 103 BPM | ||
Lucia di Lammermoor / Act 3: "Il dolce suono" | Gaetano Donizetti, Montserrat Caballé, Ann Murray, José Carreras, Claes-Håkon Ahnsjö, Vincenzo Sardinero, Samuel Ramey, New Philharmonia Orchestra, Jesús López-Cobos | D Minor | 0 | 7A | 84 BPM | ||
Carmen, Opera Suite No. 2: II. Habanera (Act 1) | London Festival Orchestra Alfred Scholz | D Major | 0 | 10B | 123 BPM | ||
Tchaikovsky: 1812 Overture in E-Flat Major, Op. 49 (Excerpt) | Pyotr Ilyich Tchaikovsky, Zubin Mehta, Israel Philharmonic Orchestra | E♭ Major | 4 | 5B | 89 BPM | ||
Slavonic Dance Op. 46 / 1 in C major, Presto "Furiant" | Milan Horvat, Vienna Radio Symphony Orchestra | G Major | 2 | 9B | 118 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 113 BPM | ||
Chamber Symphony in C Minor, Op. 110a (arr. R. Barshai from String Quartet No. 8 for orchestra): II. Allegro molto | Rudolf Barshai, Dmitri Shostakovich, Capella Istropolitana, Pawel Przytocki | G Major | 8 | 9B | 116 BPM |
Section: 0.714181661605835
End: 0.7183575630187988