"Antigonae: "O all ihr Bürger"" by Carl Orff, Hetty Plümacher, Bavarian Radio Symphony Orchestra, Ferdinand Leitner was released on January 1, 2007. The duration of Antigonae: "O all ihr Bürger" is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Antigonae: "O all ihr Bürger"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 33 in the song's album "Orff: Antigonae". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Germany. Based on our statistics, Antigonae: "O all ihr Bürger"'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Antigonae: "O all ihr Bürger" by Carl Orff, Hetty Plümacher, Bavarian Radio Symphony Orchestra, Ferdinand Leitner having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Danse Macabre, Op. 40, R.171 | Camille Saint-Saëns, Orchestre Symphonique de Montréal, Andrew Wan, Kent Nagano | G Minor | 1 | 6A | 107 BPM | ||
Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King | Edvard Grieg, Andrew Davis, New Philharmonia Orchestra | G Major | 2 | 9B | 118 BPM | ||
String Quintet E, Op.13, No.5: 3. Menuetto | Luigi Boccherini, I Musici | A Major | 0 | 11B | 83 BPM | ||
Má vlast (My Country): No. 3, Šárka | Bedřich Smetana, Polish National Radio Symphony Orchestra, Antoni Wit | A Major | 1 | 11B | 95 BPM | ||
Grieg: Peer Gynt Suite No. 1, Op. 46: III. Anitra's Dance | Edvard Grieg, The Norwegian Radio Orchestra, Ari Rasilainen | D♭ Minor | 2 | 12A | 93 BPM | ||
Sir John in Love: Fantasia on Greensleeves | Ralph Vaughan Williams, Leonard Bernstein, New York Philharmonic | C Minor | 1 | 5A | 105 BPM | ||
Carmen, Opera Suite No. 2: II. Habanera (Act 1) | London Festival Orchestra Alfred Scholz | D Major | 0 | 10B | 123 BPM | ||
Carmina Burana Suite, "Cantiones profanae" (arr. J. Krance): I. O Fortuna, velut Luna (Oh Fortune, variable as the moon) | John Krance, Carl Orff, Peabody Conservatory Wind Ensemble, Harlan D. Parker | B♭ Major | 2 | 6B | 150 BPM | ||
Il barbiere di Siviglia: Overture (Sinfonia) | Gioachino Rossini, RIAS Symphony Orchestra Berlin, Ferenc Fricsay | E Major | 2 | 12B | 170 BPM | ||
Il barbiere di Siviglia (The Barber of Seville): Overture | Gioachino Rossini, Zagreb Festival Orchestra, Michael Halasz | E Major | 1 | 12B | 171 BPM |
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