"Scheherezade, Op. 35: I. The Sea and Sinbad's Ship" by Nikolai Rimsky-Korsakov, Pelin Halkacı Alkın, Sascha Goetzel, Borusan Istanbul Philharmonic Orchestra was released on July 28, 2014. Scheherezade, Op. 35: I. The Sea and Sinbad's Ship appears to be safe for all ages as it is not explicit. There are a total of 12 in the song's album "Rimsky-Korsakov: Scheherezade, Op. 35". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. Scheherezade, Op. 35: I. The Sea and Sinbad's Ship is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Scheherezade, Op. 35: I. The Sea and Sinbad's Ship by Nikolai Rimsky-Korsakov, Pelin Halkacı Alkın, Sascha Goetzel, Borusan Istanbul Philharmonic Orchestra having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 4 in A Major, Op. 90 "Italian": Symphony No. 4 in A Major, Op. 90 "Italian": IV. Presto and Finale. Saltarello | Felix Mendelssohn, Freiburger Barockorchester, Pablo Heras-Casado | E Minor | 1 | 9A | 100 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
Humoresque No. 7 in G-flat Major, Op. 101 | Boston Symphony Orchestra, Yo-Yo Ma, Seiji Ozawa, Itzhak Perlman | F♯ Major | 1 | 2B | 83 BPM | ||
Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit de sabbat | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 60 BPM | ||
Violin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivace | Johannes Brahms, Takako Nishizaki, Slovak Philharmonic, Stephen Gunzenhauser | F Major | 1 | 7B | 91 BPM | ||
The Snow Maiden / Act 1: "Podruzhenki! Vesyoluyu syerdtsa" | Nikolai Rimsky-Korsakov, Valeria Heybalova, Sofiya Jankovich, Dushan Popovich, Nikola Janchich, Lubitza Versaykoun, Militza Miladinovich, Belgrade National Opera Chorus, Belgrade National Opera Orchestra, Kreshimir Baranovich | B Minor | 1 | 10A | 81 BPM | ||
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM | ||
Salieri : Piano Concerto in C major : II Larghetto | Antonio Salieri, Andreas Staier & Concerto Köln, Concerto Köln | C Major | 0 | 8B | 126 BPM | ||
The Rite of Spring: Part One: Adoration of the Earth: The Augurs of Spring - Dance of the Young Girls | Igor Stravinsky, Teodor Currentzis, musicAeterna | B♭ Major | 3 | 6B | 120 BPM | ||
The Planets, Op. 32: VII. Neptune, the Mystic | Gustav Holst, SWR Vokalensemble Stuttgart, Staatsopernchor Stuttgart, Stuttgart Radio Symphony Orchestra, Sir Roger Norrington | E Major | 0 | 12B | 67 BPM |
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