"The Planets, Op. 32: VII. Neptune, the Mystic" by Gustav Holst, SWR Vokalensemble Stuttgart, Staatsopernchor Stuttgart, Stuttgart Radio Symphony Orchestra, Sir Roger Norrington was released on May 11, 2018. Since The Planets, Op. 32: VII. Neptune, the Mystic is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Stuttgart Radio Symphony Orchestra, Sir Roger Norrington's "Holst: The Planets, Op. 32 - Elgar: Serenade for Strings in E Minor, Op. 20" album is number 7 out of 10. On top of that, Germany appears to be the country where this track was created. The Planets, Op. 32: VII. Neptune, the Mystic is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Planets, Op. 32: VII. Neptune, the Mystic by Gustav Holst, SWR Vokalensemble Stuttgart, Staatsopernchor Stuttgart, Stuttgart Radio Symphony Orchestra, Sir Roger Norrington to be Adagio (slowly with great expression) because the track has a tempo of 67 BPM, a half-time of 34BPM, and a double-time of 134 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmina Burana (version for soloists, choruses, 2 pianos and percussion): Uf dem anger: Tanz | Carl Orff, Lenneke Ruiten, Christoph Genz, Stephan Genz, SWR Vokalensemble Stuttgart, Stuttgart State Opera Children's Chorus, Grauschumacher Piano Duo, Norbert Schmitt-Lauxmann, Christoph Wiedmann, Martin Ruda, Markus Fischer, Jakob Eschenburg, Frank Behle, Rupert Huber | C Major | 0 | 8B | 76 BPM | ||
Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit de sabbat | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 60 BPM | ||
Petite Messe Solennelle: I. Kyrie | SWR Vokalensemble Stuttgart, Rupert Huber | C Major | 1 | 8B | 209 BPM | ||
Nocturnes, L. 91: 2. Fêtes | Claude Debussy, Berliner Philharmoniker, Claudio Abbado | A Major | 2 | 11B | 79 BPM | ||
Sinfonie Nr. 4 a-Dur Op. 90, MWV N 16 "Italienische": I. Allegro vivace | Felix Mendelssohn, Stuttgart Radio Symphony Orchestra, Sir Roger Norrington | G Major | 2 | 9B | 116 BPM | ||
The Gadfly Suite, Op. 97a: I. Overture | Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar | A♭ Major | 2 | 4B | 190 BPM | ||
Requiem for Rossini: II. Sequenz: Dies irae in C Minor | Antonio Bazzini, Prague Philharmonic Chorus, Gächinger Kantorei Stuttgart, Stuttgart Radio Symphony Orchestra, Helmuth Rilling | A♭ Major | 3 | 4B | 76 BPM | ||
Symphonie Fantastique, Op. 14: V. Songe d'une nuit de sabbat | Hector Berlioz, London Symphony Orchestra, Valery Gergiev | C Minor | 1 | 5A | 60 BPM | ||
3 Composizioni corali: No. 3. Recordare, Domine | Ildebrando Pizzetti, SWR Vokalensemble Stuttgart, Marcus Creed | C Major | 1 | 8B | 81 BPM | ||
Serenade in E Minor, Op. 20: II. Larghetto | Edward Elgar, Stuttgart Radio Symphony Orchestra, Sir Roger Norrington | C Major | 0 | 8B | 133 BPM |
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