Requiem for Rossini: II. Sequenz: Dies irae in C Minor - Antonio Bazzini, Prague Philharmonic Chorus, Gächinger Kantorei Stuttgart, Stuttgart Radio Symphony Orchestra, Helmuth Rilling Information

Acousticness: 97%
Danceability: 31%
Energy: 25%
Instrumentalness: 90%
Liveness: 8%
Loudness: 70%
Speechiness: 3%
Valence: 20%
Popularity: 1%
Loudness: -17.885 dB

Summary

Antonio Bazzini, Prague Philharmonic Chorus, Gächinger Kantorei Stuttgart, Stuttgart Radio Symphony Orchestra, Helmuth Rilling's 'Requiem for Rossini: II. Sequenz: Dies irae in C Minor' came out on January 1, 2007. With this song being about 5 minutes long, at 5:05, "Requiem for Rossini: II. Sequenz: Dies irae in C Minor" by Antonio Bazzini, Prague Philharmonic Chorus, Gächinger Kantorei Stuttgart, Stuttgart Radio Symphony Orchestra, Helmuth Rilling is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Stuttgart Radio Symphony Orchestra's "Messa Per Rossini" album is number 3 out of 21. Requiem for Rossini: II. Sequenz: Dies irae in C Minor is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Requiem for Rossini: II. Sequenz: Dies irae in C Minor BPM

We consider the tempo marking of Requiem for Rossini: II. Sequenz: Dies irae in C Minor by Antonio Bazzini, Prague Philharmonic Chorus, Gächinger Kantorei Stuttgart, Stuttgart Radio Symphony Orchestra, Helmuth Rilling to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Requiem for Rossini: II. Sequenz: Dies irae in C Minor Key

A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Concerto No. 2 in B Minor for Double Bass and Orchestra: I. Allegro moderato	Giovanni Bottesini, Edgar Meyer, Saint Paul Chamber Orchestra, Hugh Wolff	E Minor	1	9A	126 BPM
String Quartet No.8 In C Minor, Op.110: 2. Allegro molto - Live	Dmitri Shostakovich, Emerson String Quartet	G Major	4	9B	135 BPM
Peer Gynt, Op. 23: No. 16, Anitra's Dance	Edvard Grieg, San Francisco Symphony, Herbert Blomstedt	A Minor	0	8A	82 BPM
Wind Quintet in E-Flat Major, Hess 19: III. Minuetto	Ludwig van Beethoven, Ottó Rácz, Jozsef Vajda, Sándor Berki, János Keveházi, Jeno Kevehazi	E♭ Major	0	5B	82 BPM
Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato	Sergei Rachmaninoff, Arthur Rubinstein, Fritz Reiner	C Minor	1	5A	71 BPM
String Quartet No. 12 in F Major, Op. 96 'The American': IV. Vivace	Antonín Dvořák, Škampa Quartet	C Major	1	8B	78 BPM
7 Canciones populares espanolas (arr. P. Kochanski for violin and piano): El Pano moruno	Paul Kochanski, Manuel de Falla, Robert Koenig, Si-Qing Lu	B Minor	1	10A	119 BPM
Five pieces for Two Violins and Piano: I. Prelude- Moderato	Dmitri Shostakovich, Brodsky Quartet, Christian Blackshaw	B Minor	0	10A	82 BPM
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo	Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra	F Major	2	7B	131 BPM
Violin Concerto in E Minor, Op. 64, MWV O14: II. Andante	Felix Mendelssohn, Hilary Hahn, Hugh Wolff, Oslo-Filharmonien	G Major	1	9B	174 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.7903463840484619

End: 0.7975344657897949