Giovanni Bottesini, Edgar Meyer, Saint Paul Chamber Orchestra, Hugh Wolff's 'Concerto No. 2 in B Minor for Double Bass and Orchestra: I. Allegro moderato' came out on 2002. Concerto No. 2 in B Minor for Double Bass and Orchestra: I. Allegro moderato is about six minutes long, preciously at 6:02, making this song fairly long compared to other songs. The track order of this song in Edgar Meyer's "Meyer: Double Bass Concerto; Double Concerto; Bottesini: Double Bass Concerto No. 2; Grand Duo Concertant (Remastered)" album is number 4 out of 10. On top of that, United States appears to be the country where this track was created. Based on our statistics, Concerto No. 2 in B Minor for Double Bass and Orchestra: I. Allegro moderato's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto No. 2 in B Minor for Double Bass and Orchestra: I. Allegro moderato by Giovanni Bottesini, Edgar Meyer, Saint Paul Chamber Orchestra, Hugh Wolff to be Allegro (fast, quick, and bright) because the track has a tempo of 126 BPM, a half-time of 63BPM, and a double-time of 252 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Double Bass Concerto, Op. 3: II. Andante | Serge Koussevitzky, Iván Sztankov, Budapest Symphony Orchestra, Janos Kovacs | B Minor | 1 | 10A | 131 BPM | ||
Serenade in E Minor, Op. 20: I. Allegro piacevole | Edward Elgar, Mainz Chamber Orchestra, Gernot Schulz | E Minor | 1 | 9A | 81 BPM | ||
Elegie, Op. 30: Elegie for Viola and Piano, Op. 30 | Henri Vieuxtemps, Roberto Díaz, Robert Koenig | F Minor | 1 | 4A | 88 BPM | ||
Violin Concerto in E Minor, Op. 64, MWV O14: II. Andante | Felix Mendelssohn, Hilary Hahn, Hugh Wolff, Oslo-Filharmonien | G Major | 1 | 9B | 174 BPM | ||
Elegie in E-Flat Minor, Op. 3, No. 1 | Sergei Rachmaninoff | E♭ Minor | 1 | 2A | 68 BPM | ||
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM | ||
Mahler: Blumine | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 100 BPM | ||
Tartini / Arr. Kreisler: Violin Sonata in G Minor "Devil's Trill": I. Larghetto affetuoso | Giuseppe Tartini, David Oistrakh, Vladimir Yampolsky | G Minor | 1 | 6A | 103 BPM | ||
Tambourin chinois, Op. 3 (Arr. for Violin and Orchestra by McAlister) | Fritz Kreisler, Maxim Vengerov, Shanghai Symphony Orchestra, Long Yu | G Minor | 1 | 6A | 157 BPM | ||
The Rite of Spring: Part One: Adoration of the Earth: The Augurs of Spring - Dance of the Young Girls | Igor Stravinsky, Teodor Currentzis, musicAeterna | B♭ Major | 3 | 6B | 120 BPM |
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