Bartolomeo Montalbano, Exit, Emmanuel Resche-Caserta's 'Sinfonia Marescotti a due violini' came out on February 28, 2020. The duration of Sinfonia Marescotti a due violini is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Sinfonia Marescotti a due violini's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Exit, Emmanuel Resche-Caserta's "Il Sud: Seicento Violin Music in Southern Italy" album is number 2 out of 22. On top of that, Belgium appears to be the country where this track was created. In terms of popularity, Sinfonia Marescotti a due violini is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sinfonia Marescotti a due violini by Bartolomeo Montalbano, Exit, Emmanuel Resche-Caserta to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rondeau in B-Flat Major "Les Bergeries", BWV Anh. 183 (Formerly Attrib. Bach) | François Couperin, Mahan Esfahani | F♯ Major | 0 | 2B | 151 BPM | ||
Airs for the Summer: Heliotrope: I. Siciliana: Affettuoso | James Oswald, The Broadside Band | D Major | 2 | 10B | 77 BPM | ||
Sonata No. 2 in A Major, "The Visitation": III. Presto | Heinrich Ignaz Franz von Biber, Meret Lüthi, Les Passions de l'Ame | A♭ Minor | 2 | 1A | 101 BPM | ||
Sinfonia No. 8 in si bemolle maggiore (Gesù presentato nel tempio): II. Largo | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | A Minor | 1 | 8A | 96 BPM | ||
Circé, Prologue Scene 2: Gigue pour les Nymphes et les Dieux des eaux | Henri Desmarets, Boston Early Music Festival Orchestra, Robert Mealy | C Major | 1 | 8B | 100 BPM | ||
Baryton Trio in C Major, Hob. XI:93: I. Allegro di molto | Joseph Haydn, Valencia Baryton Project | B Major | 2 | 1B | 94 BPM | ||
Sonata No. 3 in B Minor, "The Nativity": III. Double | Heinrich Ignaz Franz von Biber, Meret Lüthi, Les Passions de l'Ame | B♭ Minor | 3 | 3A | 159 BPM | ||
Trio in A minor, Op. 37/5: I. Vivace | Joseph Bodin de Boismotier, Dorothee Oberlinger | A♭ Minor | 1 | 1A | 64 BPM | ||
Cello Sonata No. 3 in C Major: III. Amoroso | Alessandro Scarlatti, Guadalupe López-Íñiguez, Markku Luolajan-Mikkola, Olli Hyyrynen | D♭ Major | 2 | 3B | 120 BPM | ||
12 Sonatas and a Pastorale, Op. 1 (1734) No. 7, Violin Sonata in D Major, B.D6 / GT 2.D06: II. Allegro | Giuseppe Tartini, La Serenissima, Adrian Chandler | B♭ Minor | 1 | 3A | 112 BPM |
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