Alessandro Scarlatti, Guadalupe López-Íñiguez, Markku Luolajan-Mikkola, Olli Hyyrynen made "Cello Sonata No. 3 in C Major: III. Amoroso" available on December 14, 2018. With Cello Sonata No. 3 in C Major: III. Amoroso being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Guadalupe López-Íñiguez, Lauri Honkavirta, Olli Hyyrynen, Markku Luolajan-Mikkola's "Gabrielli & Scarlatti: Complete Cello Works" album is number 25 out of 32. On top of that, Finland appears to be the country where this track was created. Based on our statistics, Cello Sonata No. 3 in C Major: III. Amoroso's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Cello Sonata No. 3 in C Major: III. Amoroso by Alessandro Scarlatti, Guadalupe López-Íñiguez, Markku Luolajan-Mikkola, Olli Hyyrynen to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Giuditta (Version for 3 Voices), Pt. 1: Part I: Recitative: Duce, Bettulia e serva del tuo valor (Giuditta) | Alessandro Scarlatti, Rosita Frisani, Marco Lazzara, Mario Nuvoli, Alessandro Stradella Consort, Estevan Velardi | F♯ Major | 3 | 2B | 118 BPM | ||
Concerto in D Major, Op. 6 No. 6: III. Adagio | Charles Avison, Café Zimmermann | F Major | 5 | 7B | 107 BPM | ||
Concerto 5 in A Minor, Op. 7: II. Largo-Adagio | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | E Major | 1 | 12B | 82 BPM | ||
Concerto In a Major for Lute/2 Violins/alto/cello - Largo | Hopkinson Smith, Bernhard Joachi Hagen | F Minor | 0 | 4A | 104 BPM | ||
Deuxième Suite in G Major: IV. La Leclair - Très vivement et détaché | Antoine Forqueray, Jean-Baptiste Forqueray, Michèle Dévérité, Kaori Uemura, Ricardo Rodríguez | F♯ Major | 1 | 2B | 77 BPM | ||
Mistresse Nichols Almand from Lachrimae, or Seaven Teares | John Dowland, Fretwork | B♭ Major | 1 | 6B | 150 BPM | ||
Scarlatti, Alessandro : Sonata for Recorder & 2 Violins in A minor : I Allegro | Alessandro Scarlatti, Il Giardino Armonico, Giovanni Antonini | A♭ Minor | 1 | 1A | 87 BPM | ||
Mystery (Rosary) Sonata No. 2, "The Visitation": I. — | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | A♭ Major | 0 | 4B | 78 BPM | ||
Concerto in D Minor; Op. 6 No. 5: III. Moderato | Charles Avison, Café Zimmermann | D♭ Minor | 0 | 12A | 102 BPM | ||
37 Canzonas: La Samminiata | Girolamo Frescobaldi, United Continuo Ensemble | B♭ Minor | 1 | 3A | 91 BPM |
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