Heinrich Ignaz Franz von Biber, Meret Lüthi, Les Passions de l'Ame made "Sonata No. 3 in B Minor, "The Nativity": III. Double" available on March 24, 2023. With Sonata No. 3 in B Minor, "The Nativity": III. Double being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 9 out of 47 in Biber: The Mystery (Rosary) Sonatas by Heinrich Ignaz Franz von Biber, Les Passions de l'Ame, Meret Lüthi. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. Based on our statistics, Sonata No. 3 in B Minor, "The Nativity": III. Double's popularity is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Sonata No. 3 in B Minor, "The Nativity": III. Double by Heinrich Ignaz Franz von Biber, Meret Lüthi, Les Passions de l'Ame is Vivace (lively and fast), since this song has a tempo of 159 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 3/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Guitar Quintet No. 7 in E Minor, G. 451: III. Minuetto | Luigi Boccherini, José Miguel Moreno, La Real Cámara | F Major | 4 | 7B | 116 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 1: Ballo. Tempo di minuè | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore | D Major | 1 | 10B | 93 BPM | ||
Sicilienne pour violoncelle baroque et clavecin | Willem de Fesch, Anastasia Kobekina, Emmanuel Arakélian | D Minor | 2 | 7A | 182 BPM | ||
Trios Pour Le Coucher Du Roi - Symphony | İzmir Barok | D♭ Minor | 4 | 12A | 121 BPM | ||
Suite in E Minor, RCT 2: VIII. Tambourin | Jean-Philippe Rameau, Michel Kiener | F♯ Minor | 4 | 11A | 120 BPM | ||
Pavane d'Angleterre – Galliarde - 6. Livre de Danceries - Branles de Pictou - 5. Livre de Danceries | İzmir Barok | D♭ Minor | 4 | 12A | 121 BPM | ||
Sinfonia a quattro No. 4 in G Major, SF C779: I. Presto | Benedetto Marcello, La Floridiana, Nicoleta Paraschivescu | F♯ Major | 5 | 2B | 142 BPM | ||
Harmonia artificioso-ariosa, Partia IV in E-Flat Major, C 65: VI. Gigue. Presto | Heinrich Ignaz Franz von Biber, Les Passions de l'Ame, Meret Lüthi | D Major | 3 | 10B | 61 BPM | ||
Marais: Pièces en trio: Suite No. 4 en si bémol majeur: IV. Gigue | Marin Marais, Ensemble Amalia | A Major | 0 | 11B | 76 BPM | ||
Sonata for two Cellos in E Minor: IV. Spiritoso | Ermenegildo Del Cinque, Ludovico Minasi, Cristina Vidoni, Simone Vallerotonda, Andrea Buccarella | A♭ Major | 5 | 4B | 130 BPM |
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