Antonio Caldara, Claudio Ferrarini, Accademia Farnese's 'Sinfonia No. 8 in si bemolle maggiore (Gesù presentato nel tempio): II. Largo' came out on April 15, 2022. With Sinfonia No. 8 in si bemolle maggiore (Gesù presentato nel tempio): II. Largo being less than two minutes long, at 1:02, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 36 out of 51 in Antonio Caldara: 12 Sinfonie a quattro su Azione sacra by Antonio Caldara, Claudio Ferrarini, Accademia Farnese. Going off of the ISRC code of this track, we detected that the origin of this track is from Italy. In terms of popularity, Sinfonia No. 8 in si bemolle maggiore (Gesù presentato nel tempio): II. Largo is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sinfonia No. 8 in si bemolle maggiore (Gesù presentato nel tempio): II. Largo by Antonio Caldara, Claudio Ferrarini, Accademia Farnese is Andante (at a walking pace), since this song has a tempo of 96 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Good, the Bad and the Ugly Theme (Arr. for flute by Claudio Ferrarini) - From the Film "The Good, the Bad and the Ugly" | Ennio Morricone, Claudio Ferrarini | C Minor | 1 | 5A | 75 BPM | ||
Maddalena ai piedi di Cristo: No. 1 Sinfonia | Antonio Caldara, René Jacobs, Schola Cantorum Basiliensis, Chiara Banchini | A♭ Major | 2 | 4B | 170 BPM | ||
Concerts royaux, Concerto No. 2 in D Major: V. Échos | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Les goûts-réunis, ou Nouveaux Concerts, Concert No. 9 in E Major "Il ritratto dell'amore": No. 8, L'et cӕtera, ou menuets | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Sinfonia No. 5 in si bemolle maggiore (San Pietro in Caesarea): IV. Allegro | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | A Minor | 1 | 8A | 96 BPM | ||
Sonata a 6 in D Minor, G. 23 | David Pohle, Clematis, Brice Sailly, Stéphanie de Failly | D Major | 1 | 10B | 93 BPM | ||
Trio Sonata in D Minor, RV 63 "Follia": Variation 11 (Larghetto) | Antonio Vivaldi, Le Consort | D♭ Minor | 3 | 12A | 78 BPM | ||
Sinfonia Nо. 3 in fa minore (La morte d'Abel): III. Allegretto | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | A Minor | 1 | 8A | 96 BPM | ||
Secondo set di assolo per flauto e basso continuo, Op. 2a: No. 3, Sonata in fa maggiore: I. Adagio | Johann Christoph Pepusch, Claudio Ferrarini | F Major | 1 | 7B | 88 BPM | ||
Airs for the Seasons, Summer (Excerpts): Pink: III. Temo di Minuetto | James Oswald, Rezonance Baroque Ensemble | F♯ Major | 2 | 2B | 82 BPM |
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