- BPM
- 131
- Key
- F Major
- Camelot
- 7B
Ave Maria, CG89a (from Bach Prelude in C, BWV 846) - Charles Gounod, Ben Hulett, Helen Tunstall, Choir of New College, Oxford, Edward Higginbottom Information
- Acousticness
- 97%
- Danceability
- 18%
- Energy
- 10%
- Instrumentalness
- 26%
- Liveness
- 12%
- Loudness
- 58%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 25%
- Loudness
- -25.34 dB
Summary
"Ave Maria, CG89a (from Bach Prelude in C, BWV 846)" by Charles Gounod, Ben Hulett, Helen Tunstall, Choir of New College, Oxford, Edward Higginbottom was released on January 1, 2000. The duration of Ave Maria, CG89a (from Bach Prelude in C, BWV 846) is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Ave Maria, CG89a (from Bach Prelude in C, BWV 846)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 20 in Bluebird - Music Of Contemplation by Choir of New College, Oxford, Edward Higginbottom. Based on our statistics, Ave Maria, CG89a (from Bach Prelude in C, BWV 846)'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Ave Maria, CG89a (from Bach Prelude in C, BWV 846) BPM
The tempo marking of Ave Maria, CG89a (from Bach Prelude in C, BWV 846) by Charles Gounod, Ben Hulett, Helen Tunstall, Choir of New College, Oxford, Edward Higginbottom is Allegro (fast, quick, and bright), since this song has a tempo of 131 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
Ave Maria, CG89a (from Bach Prelude in C, BWV 846) Key
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
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 | La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM | |
 | Les Sept paroles de Notre Seigneur Jésus-Christ sur la croix, CG 147: VII. Pater in manus tuas | Charles Gounod, Ensemble Vocal de Lausanne, Michel Corboz | F Major | 0 | 7B | 75 BPM | |
 | Cavalleria rusticana: "Gli aranci olezzano sui verdi margini" | Pietro Mascagni, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | A Major | 1 | 11B | 75 BPM | |
 | Ciganské melodie, Op. 55, B. 104 - Arr. by Jiri Teml: IV. Kdyz mne stara matka | Antonín Dvořák, Anna Netrebko, PKF – Prague Philharmonia, Emmanuel Villaume | G Minor | 2 | 6A | 115 BPM | |
 | Salve Regina in C minor (1736): 1. Salve Regina | Giovanni Battista Pergolesi, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | E Minor | 1 | 9A | 99 BPM | |
 | Ave verum corpus in D Major, K. 618 | Wolfgang Amadeus Mozart, Kosice Teachers' Choir, Camerata Cassovia, Johannes Wildner | D Major | 1 | 10B | 123 BPM | |
 | Carmina Burana - 3. Cour d'amours: "In trutina" | Carl Orff, Lynne Dawson, San Francisco Symphony, Herbert Blomstedt | D Major | 0 | 10B | 80 BPM | |
 | Joshua, HWV 64, Pt. 1: No. 2, Chorus. Ye Sons of Israel, Ev'ry Tribe Attend | George Frideric Handel, Choir of New College, Oxford, Robert King, The King's Consort | D♭ Major | 4 | 3B | 105 BPM | |
 | Il barbiere di Siviglia / Act 1: No.2 Cavatina: "Largo al factotum" | Gioachino Rossini, Dmitri Hvorostovsky, Philharmonia Orchestra, Ion Marin | C Major | 3 | 8B | 148 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 1.152587890625
End: 1.1573405265808105