George Frideric Handel, Choir of New College, Oxford, Robert King, The King's Consort made "Joshua, HWV 64, Pt. 1: No. 2, Chorus. Ye Sons of Israel, Ev'ry Tribe Attend" available on April 1, 1991. With this song being about 5 minutes long, at 4:33, "Joshua, HWV 64, Pt. 1: No. 2, Chorus. Ye Sons of Israel, Ev'ry Tribe Attend" by George Frideric Handel, Choir of New College, Oxford, Robert King, The King's Consort is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in George Frideric Handel, The King's Consort, Robert King's "Handel: Joshua" album is number 2 out of 56. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Joshua, HWV 64, Pt. 1: No. 2, Chorus. Ye Sons of Israel, Ev'ry Tribe Attend is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Joshua, HWV 64, Pt. 1: No. 2, Chorus. Ye Sons of Israel, Ev'ry Tribe Attend by George Frideric Handel, Choir of New College, Oxford, Robert King, The King's Consort to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Borodin - String Quartet No.2 in D major: Notturno: Andante | Alexander Borodin, Borodin Quartet | A Major | 2 | 11B | 74 BPM | ||
Flute Sonata in E Minor, Op. 5, No. 8: II. Allemanda: Allegro | Arcangelo Corelli, Barthold Kuijken, Wieland Kuijken, Robert Kohnen | D Minor | 2 | 7A | 128 BPM | ||
Rinaldo, HWV 7: Lascia ch'io pianga (Arr. for Piano) | George Frideric Handel, Martin Stadtfeld | F Major | 0 | 7B | 68 BPM | ||
Abdelazar Suite, Z. 570: VI. Air | Henry Purcell, Camerata Nordica, Terje Tonnesen | G Minor | 2 | 6A | 131 BPM | ||
Trio Sonata for 2 Violins and Continuo in G Minor, HWV 393 "Dresden" No. 2: III. Largo (Arr. for Oboe, Violin, Harpsichord and Orchestra by Andreas Tarkmann) | George Frideric Handel, Albrecht Mayer, Sinfonia Varsovia, Jakub Haufa, Monika Razynska | B♭ Major | 2 | 6B | 143 BPM | ||
Handel: Music for the Royal Fireworks, HWV 351: II. Allegro - Lentement - Allegro | George Frideric Handel, Alison Balsom, Balsom Ensemble, Simon Wright | D♭ Major | 4 | 3B | 135 BPM | ||
Bach: Brandenburg Concerto No. 2 in F Major, BWV 1047: I. (without tempo indication) | Johann Sebastian Bach, Mark Bennett, Rachel Beckett, Paul Goodwin, Monica Huggett, Orchestra of the Age of Enlightenment | E Major | 3 | 12B | 97 BPM | ||
Concerto grosso in F Major, Op. 6, No. 2 HWV 320: I. Andante larghetto | George Frideric Handel, Simon Standage, Elizabeth Wilcock, Anthony Pleeth, David Reichenberg, Sophia McKenna, Jeremy Ward, Robert Woolley, Trevor Pinnock, The English Concert | A♭ Minor | 1 | 1A | 157 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: III. Presto | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 2 | 12A | 118 BPM | ||
Matthäus-Passion: Erster Teil, 1. Chorus I & II Kommt, ihr Töchter, helft mir klagen | Johann Sebastian Bach, RIAS Kammerchor, Staats- und Domchor Berlin, Akademie für Alte Musik Berlin, René Jacobs | E♭ Minor | 3 | 2A | 77 BPM |
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