"Les Sept paroles de Notre Seigneur Jésus-Christ sur la croix, CG 147: VII. Pater in manus tuas" by Charles Gounod, Ensemble Vocal de Lausanne, Michel Corboz was released on March 9, 2010. With Les Sept paroles de Notre Seigneur Jésus-Christ sur la croix, CG 147: VII. Pater in manus tuas being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 16 out of 16 in Franck & Gounod: Sept paroles du Christ en croix by Michel Corboz, Ensemble Vocal de Lausanne. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Les Sept paroles de Notre Seigneur Jésus-Christ sur la croix, CG 147: VII. Pater in manus tuas is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Les Sept paroles de Notre Seigneur Jésus-Christ sur la croix, CG 147: VII. Pater in manus tuas by Charles Gounod, Ensemble Vocal de Lausanne, Michel Corboz is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Deus nobiscum (Version for Soprano, Choir & Orchestra): V. Quoniam tu solus sanctus | Philip Stopford, Grace Davidson, Choir of St Luke's, Chelsea, Chelsea Camerata, Jeremy Summerly | B♭ Major | 2 | 6B | 70 BPM | ||
Troparion: O Theotokos | Timo Ruottinen, Tampere Orthodox Choir | D Major | 1 | 10B | 135 BPM | ||
Domine non secundum | Vincent Warnier - Ensemble Vocal Jean Sourisse | B Major | 1 | 1B | 83 BPM | ||
Ich Lasse Dich Nicht BWV Anh. 159 | Johann Cristoph Bach, Johann Sebastian Bach, Cantio Laudis, Olli Heikkilä, Oulun Kamariorkesterin Jousikvartetti, Irina Niskala | F Minor | 1 | 4A | 72 BPM | ||
Mass of the Americas: IX. Salve regina | Frank La Rocca, The Benedict XVI Choir, The Benedict XVI Orchestra, Richard Sparks | E Major | 3 | 12B | 88 BPM | ||
Israel in Egypt, HWV 54, Pt 3. "Moses' Song": IX. Who is like unto thee (Chorus) | George Frideric Handel, Apollo's Fire, Jeannette Sorrell, Apollo's Singers | B Major | 4 | 1B | 110 BPM | ||
Christus vincit | Basilica of the National Shrine of the Immaculate Conception Choir | G Major | 2 | 9B | 133 BPM | ||
Sieben Magnificat Antiphonen: II. O Adonai | Arvo Pärt, South Dakota Chorale, Brian A. Schmidt | D Major | 2 | 10B | 75 BPM | ||
Богородице дево радуйся | Мужской камерный хор "Logos" | A♭ Major | 3 | 4B | 84 BPM | ||
Mass of the Americas: V. Sanctus - Benedictus | Frank La Rocca, The Benedict XVI Choir, The Benedict XVI Orchestra, Richard Sparks | C Minor | 3 | 5A | 133 BPM |
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