"Sieben Magnificat Antiphonen: II. O Adonai" by Arvo Pärt, South Dakota Chorale, Brian A. Schmidt had its release date on February 1, 2015. The duration of This song is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Sieben Magnificat Antiphonen: II. O Adonai's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "Sacred Songs of Life & Love". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Netherlands. Sieben Magnificat Antiphonen: II. O Adonai is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sieben Magnificat Antiphonen: II. O Adonai by Arvo Pärt, South Dakota Chorale, Brian A. Schmidt having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Baricades Misterieuses | François Couperin, Evgenia Papadimas | B♭ Major | 0 | 6B | 73 BPM | ||
Song For Athene | John Tavener, Nicola Benedetti, London Philharmonic Orchestra, Andrew Litton | B♭ Major | 0 | 6B | 97 BPM | ||
Autumn Music 2 | Max Richter, Louisa Fuller, Natalia Bonner, Rico Costa, John Metcalfe, Ian Burdge, Chris Worsey | F♯ Major | 0 | 2B | 68 BPM | ||
White Flowers Take Their Bath | Meredi, Mari Samuelsen, Scoring Berlin, Jonathan Stockhammer | A Major | 1 | 11B | 97 BPM | ||
A Sparrow Alighted upon our Shoulder | Jóhann Jóhannsson, Air Lyndhurst String Orchestra, Anthony Weeden | F♯ Minor | 1 | 11A | 139 BPM | ||
Como cierva sedienta: IV | Arvo Pärt, Swedish Radio Symphony Orchestra, Tõnu Kaljuste, Swedish Radio Choir, Helena Olsson | C Minor | 2 | 5A | 74 BPM | ||
Nocturne | Dobrinka Tabakova, Ivan Yanakov | E Major | 0 | 12B | 120 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Nocturne in F Minor, Op. 55, No. 1 (Arr. By Chad Lawson for Piano, Violin, Cello) | Chad Lawson, Judy Kang, Rubin Kodheli | F Minor | 0 | 4A | 149 BPM | ||
Da Pacem Domine | Arvo Pärt, The Hilliard Ensemble | A Major | 0 | 11B | 86 BPM |