"Ja, es ward Abend (Madame Butterfly)" by Maria Cebotari, Berliner Rundfunk-Sinfonie-Orchester, Walther Ludwig was released on August 7, 2006. Ja, es ward Abend (Madame Butterfly) appears to be safe for all ages as it is not explicit. There are a total of 18 in the song's album "The Art of Maria Cebotari". In this album, this song's track order is #14. Ja, es ward Abend (Madame Butterfly) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ja, es ward Abend (Madame Butterfly) by Maria Cebotari, Berliner Rundfunk-Sinfonie-Orchester, Walther Ludwig having a テンポ of 76 with a half-time of 38 テンポ and a double-time of 152 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die hochzeit des Figaro, K.492, IWM 348, Act II: "Hör mein Flehn, o Gott der Liebe" (Gräfin, Susanna, Figaro, Cherubino) | Wolfgang Amadeus Mozart, Orchester des Stuttgarter Rundfunks, Karl Böhm, Margarete Teschemacher, Maria Cebotari, Paul Schöffler, Angela Kolniak | D Major | 1 | 10B | 71 BPM | ||
Violettes imperiales | Francis Lopez, Ana Maria Martinez, Prague Philharmonia, Steven Mercurio | G Major | 1 | 9B | 60 BPM | ||
Magic Fire Music (Orchestra) | Richard Wagner, Ruth Siewert, Wilhelm Furtwängler, Wiener Philharmoniker | E Major | 1 | 12B | 78 BPM | ||
Messa di Gloria: Agnus Dei | Giacomo Puccini, Willi Stein, Thomas Pfeiffer, Maulbronn Chamber Choir, South West German Radio Symphony Orchestra, members, Jurgen Budday | F Major | 2 | 7B | 131 BPM | ||
Carmen, WD 31 / Act 4: C'est toi, c'est-moi! | Georges Bizet, Freddie De Tommaso, Aigul Akhmetshina, Apollo Voices, Philharmonia Orchestra, Paolo Arrivabeni | E Major | 3 | 12B | 125 BPM | ||
Offenbach: Orphée aux enfers, Act 1: "La mort m'apparaît souriante" (Eurydice) | Jacques Offenbach, Marc Minkowski, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon | G Major | 0 | 9B | 100 BPM | ||
Warum gabst du bis heute nie meinem Flehn Gehör (Die Hochzeit des Figaro) | Mathieu Ahlersmeyer, Margarete Teschemacher, Hans-Herbert Fiedler, Elisabeth Waldenau, Paul Schöffler, Angela Kolniak, Carl Wessely, Hannerle Franck, Hubert Buchta, Chor Und Orchester Des Reichssenders Stuttgart, Kurt Böhme, Maria Cebotari | D Major | 1 | 10B | 71 BPM | ||
Le nozze di Figaro, K.492, Act IV: Aria. "Deh vieni non tardar" | Wolfgang Amadeus Mozart, Golda Schultz, Kammerakademie Potsdam, Antonello Manacorda | G Major | 3 | 9B | 123 BPM | ||
Teurer Name, dessen Klang (Rigoletto) | Maria Cebotari, Staatskapelle Berlin | E Major | 1 | 12B | 80 BPM | ||
Strauss II, J: La chauve-souris, Act 1: Duetto. "Viens souper avec nous" (Gaillardin, Duparquet) | Johann Strauss II, Franck Pourcel, Jean Christophe Benoit, Pierre Fleta, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 2 | 10B | 127 BPM |