"Warum gabst du bis heute nie meinem Flehn Gehör (Die Hochzeit des Figaro)" by Mathieu Ahlersmeyer, Margarete Teschemacher, Hans-Herbert Fiedler, Elisabeth Waldenau, Paul Schöffler, Angela Kolniak, Carl Wessely, Hannerle Franck, Hubert Buchta, Chor Und Orchester Des Reichssenders Stuttgart, Kurt Böhme, Maria Cebotari was released on September 6, 2006. The duration of Warum gabst du bis heute nie meinem Flehn Gehör (Die Hochzeit des Figaro) is about 3 minutes long, at 3:13. Based on our data, "Warum gabst du bis heute nie meinem Flehn Gehör (Die Hochzeit des Figaro)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 19 out of 31 in Die Hochzeit des Figaro by Karl Böhm. Going off of the ISRC code of this track, we detected that the origin of this track is from Austria. Warum gabst du bis heute nie meinem Flehn Gehör (Die Hochzeit des Figaro) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Warum gabst du bis heute nie meinem Flehn Gehör (Die Hochzeit des Figaro) by Mathieu Ahlersmeyer, Margarete Teschemacher, Hans-Herbert Fiedler, Elisabeth Waldenau, Paul Schöffler, Angela Kolniak, Carl Wessely, Hannerle Franck, Hubert Buchta, Chor Und Orchester Des Reichssenders Stuttgart, Kurt Böhme, Maria Cebotari is Adagio (slowly with great expression), since this song has a tempo of 71 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les 7 paroles du Christ: Introduction, “O vos omnes” | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | D Minor | 1 | 7A | 112 BPM | ||
Don Giovanni, K. 527, Act I: "Treibt der Champagner" | Mathieu Ahlersmeyer | A Major | 4 | 11B | 119 BPM | ||
Così fan tutte, K.588, Act II: Duetto. "Fra gli amplessi in pochi istanti" | Wolfgang Amadeus Mozart, Golda Schultz, Kammerakademie Potsdam, Antonello Manacorda, Amitai Pati | A Major | 1 | 11B | 70 BPM | ||
Don Carlos: Act I - "Weshalb bliebt ihr verborgen?" (Filippo, Posa) | Staatsorchester Berlin, Artur Rother, Georg Hann, Mathieu Ahlersmeyer | D♭ Major | 4 | 3B | 80 BPM | ||
La Traviata, Act III: Addio, del passato | Giuseppe Verdi, Lisette Oropesa, Daniel Oren, Dresdner Philharmonie | A Minor | 0 | 8A | 79 BPM | ||
Lohengrin, WWV 75 / Act I: "Seht hin! Sie naht, die hart Beklagte!" | Richard Wagner, Kurt Moll, Cheryl Studer, Vienna State Opera Chorus, Peter Burian, Wiener Philharmoniker, Claudio Abbado | E Major | 0 | 12B | 137 BPM | ||
Requiem in E-Flat Minor: III. Tuba mirum | Józef Kozłowski, Singapore Symphony Orchestra, Hans Graf, Christoph Seidl | E♭ Major | 0 | 5B | 167 BPM | ||
Il tabarro, SC 85 (Sung in German): Nun sage mir, was meinst du? Dunque, che cosa credi? | Giacomo Puccini, Orchester des Reichssenders Stuttgart, Chor des Reichssenders Stuttgart, Hildegard Ranczak, Mathieu Ahlersmeyer, Clemens Krauss | F Minor | 4 | 4A | 82 BPM | ||
Der Widerspenstigen Zähmung, Akt IV, Szene 1: "Jetzt können wir's nicht mehr ertragen" | Hermann Goetz, Orchester der Staatsoper Dresden, Karl Elmendorff, Margarete Teschemacher, Elfride Trötschel, Gottlob Frick, Sven Nilsson, Mathieu Ahlersmeyer, Pavel Mirov | F Major | 5 | 7B | 122 BPM | ||
La forza del destino, Act I: Me pellegrina ed orfana | Giuseppe Verdi, Dinara Alieva, Orchestra del Teatro Carlo Felice di Genova, Valerio Galli | C Major | 3 | 8B | 108 BPM |