Mathieu Ahlersmeyer made "Don Giovanni, K. 527, Act I: "Treibt der Champagner"" available on January 1, 2000. With Don Giovanni, K. 527, Act I: "Treibt der Champagner" being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 20 in the song's album "Singer Portrait". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Don Giovanni, K. 527, Act I: "Treibt der Champagner" is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Don Giovanni, K. 527, Act I: "Treibt der Champagner" by Mathieu Ahlersmeyer having a テンポ of 119 with a half-time of 60 テンポ and a double-time of 238 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Reise auf den Mond: Act III - '' Dialog '', No. 10 | Hamburger Rundfunkorchester, Paul Burkhard, Mathieu Ahlersmeyer, Stina-Britta Melander, Gerard Clair, Kurt Marschner, Hans Leibelt, Rosl Zapf, Wolfgang Völz | D Major | 3 | 10B | 143 BPM | ||
La forza del destino, Act IV, Scene I: Giunge qualcun; aprite | Giuseppe Verdi, Riccardo Zanellato, Simone Piazzola, Carlo Lepore, Orchestra del Teatro Carlo Felice di Genova, Valerio Galli | C Minor | 2 | 5A | 88 BPM | ||
Cavalleria rusticana: Part II: A casa, a casa (Men, Women, Turiddu, Lola) | Pietro Mascagni, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Anna Maria Canali, Ebe Ticozzi, Vittore Veneziani, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | E♭ Major | 2 | 5B | 108 BPM | ||
7 Variations on "Happy Birthday": Var. 2, Romantic | Howard Arman, Bavarian Radio Chorus, Munich Radio Orchestra | F♯ Major | 2 | 2B | 59 BPM | ||
5 mélodies populaires grecques: No. 3, Quel galant m'est comparable | Radio Bratislava Symphony Orchestra, Paulina Stark, Dennis Burkh | G Major | 1 | 9B | 0 BPM | ||
Offenbach: La vie parisienne, Act 4: Finale. "Par nos chansons et par nos cris, célébrons Paris" (Chœur, Gabrielle, Le Baron, La Baronne, Bobinet, Gardefeu, Le Brésilien, Urbain, Métella) | Jacques Offenbach, Michel Plasson, Christiane Château, Choeur Du Capitole De Toulouse, Jean Christophe Benoit, Luis Masson, Mady Mesple, Michel Jarry, Michel Sénéchal, Michel Trempont, Régine Crespin, Orchestre Du Capitole De Toulouse | G Major | 4 | 9B | 88 BPM | ||
Victoria! Victoria! (Macbeth) | Josef Witt, Vienna State Opera Chorus, Viktor Madin, Mathieu Ahlersmeyer, Orchester der Wiener Staatsoper in der Volksoper, Hermann Baier, Elisabeth Höngen, Karl Ettl, Willi Franter, Else Boettcher, Herbert Alsen | A Minor | 7 | 8A | 124 BPM | ||
Die hochzeit des Figaro, K.492, IWM 348, Act II: "Nur näher, knien Sie hin vor mir" (Susanna, Gräfin, Cherubino, Graf) | Wolfgang Amadeus Mozart, Orchester des Stuttgarter Rundfunks, Karl Böhm, Maria Cebotari, Margarete Teschemacher, Angela Kolniak, Mathieu Ahlersmeyer | E♭ Major | 1 | 5B | 84 BPM | ||
Die tote Stadt, Op. 12: Mein Sehnen, mein Wähnen (Pierrot's Tanzlied) | Erich Wolfgang Korngold, Samuel Hasselhorn, Poznań Philharmonic Orchestra, Łukasz Borowicz | F Major | 1 | 7B | 129 BPM | ||
Il barbiere di Siviglia / Act 1: No.9 Finale I: "Ehi, di casa!... buona gente!..." | Gioachino Rossini, Ugo Benelli, Fernando Corena, Teresa Berganza, Orchestra del Teatro San Carlo di Napoli, Silvio Varviso | C Major | 3 | 8B | 105 BPM |