Staatsorchester Berlin, Artur Rother, Georg Hann, Mathieu Ahlersmeyer's 'Don Carlos: Act I - "Weshalb bliebt ihr verborgen?" (Filippo, Posa)' came out on January 30, 2012. Don Carlos: Act I - "Weshalb bliebt ihr verborgen?" (Filippo, Posa) appears to be safe for all ages as it is not explicit. There are a total of 25 in the song's album "Singer Portrait - Georg Hann, Vol. 1". In this album, this song's track order is #16. Don Carlos: Act I - "Weshalb bliebt ihr verborgen?" (Filippo, Posa) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Don Carlos: Act I - "Weshalb bliebt ihr verborgen?" (Filippo, Posa) by Staatsorchester Berlin, Artur Rother, Georg Hann, Mathieu Ahlersmeyer having a テンポ of 80 with a half-time of 40 テンポ and a double-time of 160 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tosca / Act 1: "Dammi i colori!...Recondita armonia" | Giacomo Puccini, Giuseppe Di Stefano, Fernando Corena, Wiener Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 84 BPM | ||
Ave, Verum Corpus | Franco Corelli | A Major | 1 | 11B | 66 BPM | ||
Shéhérazade, M. 41: 1. Asie | Maurice Ravel, Régine Crespin, Orchestre de la Suisse Romande, Ernest Ansermet | D♭ Minor | 1 | 12A | 101 BPM | ||
Heut' Nacht hab' ich geträumt von dir | Emmerich Kálmán, Simon Keenlyside, Alfred Eschwe, Tonkünstler-Orchester | E♭ Major | 2 | 5B | 80 BPM | ||
Santa Lucia | Theodoro Cottrau, Enrico Caruso, Walter B. Rogers | G Minor | 4 | 6A | 90 BPM | ||
Trinke, Liebchen (Glücklich ist, wer vergisst) | Fritz Wunderlich | G Major | 4 | 9B | 78 BPM | ||
Pagliacci: Recitar "Vesti la Giubba" | Enrico Caruso | A♭ Minor | 1 | 1A | 72 BPM | ||
Die Csardasfurstin (The Gypsy Princess): Act III: Schlussgesang: Tausend kleine Engel (Sylva, Stasi, Edwin, Boni) | Emmerich Kálmán, Yvonne Kenny, Michael Roider, Mojca Erdmann, Marko Kathol, Karl-Michael Ebner, Hellmuth Klumpp, Heinz Holecek, Yvonne Kalman, Marian Vach, Slovak Philharmonic Choir, Slovak Radio Symphony Orchestra, Richard Bonynge | C Major | 2 | 8B | 91 BPM | ||
La Boheme, vierter Akt: Musetta ! | Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli | F♯ Minor | 5 | 11A | 62 BPM | ||
A Midsummer Night's Dream / Act 2: A Midsummer Night's Dream, Act 2: "On The Ground, Sleep Sound" | Benjamin Britten, Choir Of Downside School, Purley, Wandsworth School Boys Choir, London Symphony Orchestra | F Minor | 0 | 4A | 176 BPM |