Emmerich Kálmán, Yvonne Kenny, Michael Roider, Mojca Erdmann, Marko Kathol, Karl-Michael Ebner, Hellmuth Klumpp, Heinz Holecek, Yvonne Kalman, Marian Vach, Slovak Philharmonic Choir, Slovak Radio Symphony Orchestra, Richard Bonynge's 'Die Csardasfurstin (The Gypsy Princess): Act III: Schlussgesang: Tausend kleine Engel (Sylva, Stasi, Edwin, Boni)' came out on January 29, 2005. With Die Csardasfurstin (The Gypsy Princess): Act III: Schlussgesang: Tausend kleine Engel (Sylva, Stasi, Edwin, Boni) being less than two minutes long, at 1:00, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Emmerich Kálmán's "Kalman: Csardasfurstin (Die) (The Gypsy Princess)" album is number 8 out of 24. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, Die Csardasfurstin (The Gypsy Princess): Act III: Schlussgesang: Tausend kleine Engel (Sylva, Stasi, Edwin, Boni) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Die Csardasfurstin (The Gypsy Princess): Act III: Schlussgesang: Tausend kleine Engel (Sylva, Stasi, Edwin, Boni) by Emmerich Kálmán, Yvonne Kenny, Michael Roider, Mojca Erdmann, Marko Kathol, Karl-Michael Ebner, Hellmuth Klumpp, Heinz Holecek, Yvonne Kalman, Marian Vach, Slovak Philharmonic Choir, Slovak Radio Symphony Orchestra, Richard Bonynge to be Andante (at a walking pace) because the track has a tempo of 91 テンポ, a half-time of 46テンポ, and a double-time of 182 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
I tempi assai lontani | Ottorino Respighi, Dame Joan Sutherland, Richard Bonynge | E♭ Minor | 0 | 2A | 71 BPM | ||
E Lucevan Le Stelle (Tosca), 900861: Puccini: E Lucevan Le Stelle (Tosca) - E Lucevan Le Stelle (Tosca) | Giacomo Puccini, Charles Castronovo, Munich Radio Orchestra, Ivan Repušić | F Minor | 3 | 4A | 121 BPM | ||
Puccini: Tosca, Act 1: "Ma con quei cani di volterriani" (Sagrestano, Cavaradossi) | Giacomo Puccini, Antonio Pappano, Enrico Fissore, Roberto Alagna, Orchestra of the Royal Opera House & Covent Garden | D Major | 0 | 10B | 84 BPM | ||
The Ghost of Frankenstein: Monster Kidnaps Child / Monster's Desire | Hans J. Salter, John Morgan, Slovak Radio Symphony Orchestra, William Stromberg | B Major | 0 | 1B | 120 BPM | ||
Les Pêcheurs de perles: Qu'ai-je vu? (Zurga, Leïla) | Georges Bizet, Ernest Blanc/Janine Micheau/Orchestre du Théâtre National de I'Opéra-Comique/Pierre Dervaux, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique, Orchestre Du Theatre National De L'opera-comique | D Major | 0 | 10B | 88 BPM | ||
Die Meistersinger von Nurnberg (The Mastersingers of Nuremberg): Act III: Morgenlich leuchtend in rosigem Schein | Richard Wagner, Torsten Kerl, Slovak Radio Symphony Orchestra, Ivan Anguélov | C Major | 3 | 8B | 116 BPM | ||
Las Golondrinas: "Canción de Lina" | Coro del Gran Teatro Lírico de Bacelona, Fidela Campiña | E♭ Major | 2 | 5B | 129 BPM | ||
Las Golondrinas, Final, II parte: "¡Oh, Puck, por ti mi corazón!" | Coro del Gran Teatro Lírico de Bacelona, Fidela Campiña, Carlo Galeffi | E♭ Major | 2 | 5B | 129 BPM | ||
La Boheme, dritter Akt: Sa dirmi, scusi | Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli | F♯ Minor | 5 | 11A | 62 BPM | ||
Requiem, Op. 63: Ib. Te decet hymnus – | Charles Villiers Stanford, Carolyn Sampson, James Way, Ross Ramgobin, Marta Fontanals-Simmons, University of Birmingham Voices, City Of Birmingham Symphony Orchestra, Martyn Brabbins | E Minor | 1 | 9A | 79 BPM |