Coro del Gran Teatro Lírico de Bacelona, Fidela Campiña's 'Las Golondrinas: "Canción de Lina"' came out on May 15, 1999. The duration of Las Golondrinas: "Canción de Lina" is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Las Golondrinas: "Canción de Lina"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Various Artists's "Las Golondrinas" album is number 6 out of 20. On top of that, Spain appears to be the country where this track was created. Based on our statistics, Las Golondrinas: "Canción de Lina"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Las Golondrinas: "Canción de Lina" by Coro del Gran Teatro Lírico de Bacelona, Fidela Campiña to be Allegro (fast, quick, and bright) because the track has a tempo of 129 テンポ, a half-time of 64テンポ, and a double-time of 258 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tosca / Act 1: "Mia gelosa!" | Giacomo Puccini, José Carreras, Montserrat Caballé, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | F Major | 0 | 7B | 140 BPM | ||
Andrea Chénier / Act 3: Udiamo i testimoni! ... Qui la giustizia ha nome | Umberto Giordano, Neil Howlett, Leo Nucci, Luciano Pavarotti, Ralph Hamer, Chorus of the Welsh National Opera, National Philharmonic Orchestra, Riccardo Chailly | A Major | 4 | 11B | 75 BPM | ||
Otello: Deh calma, o ciel, nel sonno | Gioachino Rossini, Hera Hyesang Park, Orchestra del Teatro Carlo Felice, Jochen Rieder | F♯ Minor | 2 | 11A | 80 BPM | ||
Les Pêcheurs de perles: Ce sont eux, les voici! (Zurga, Nadir, Leïla, Nourabad, Chieftains) | Georges Bizet, Ernest Blanc, Nicolai Gedda, Janine Micheau, Jacques Mars, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre Du Theatre National De L'opera-comique, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique | C Minor | 1 | 5A | 72 BPM | ||
Rossini: Zelmira, Act 1: "Perche mi guardi e piangi" (Zelmira, Emma) | Gioachino Rossini, Maurizio Benini, Scottish Chamber Orchestra | C Major | 2 | 8B | 88 BPM | ||
Bellini: Norma, Act 1 Scene 4: No. 4d, "Ah! bello a me ritorna" (Norma, Chorus) | Vincenzo Bellini, Angela Gheorghiu, Chorus of the Royal Opera House, Covent Garden, Terry Edwards, London Symphony Orchestra, Evelino Pidò | F Major | 1 | 7B | 116 BPM | ||
Primer Acte: Duet Canta-li sa Lliçó Clara | Francesc Rosselló, Joan Benejam, Juanita Coll, Josep Quetglas, Joan Pons, Gerard Pérez Busquier, Gran Orquestra Simfònica | F Major | 1 | 7B | 101 BPM | ||
La Vida Breve, G. 35, Act I, First Tableau, Scene I: ¡Ah, ande la tarea (Obreros en la fragua) | Manuel de Falla, BBC Philharmonic, Juanjo Mena, RTVE Symphony Chorus, Nancy Fabiola Herrera, Cristina Faus, Aquiles Machado, Raquel Lojendio, Josep Miquel Ramón | G Major | 0 | 9B | 57 BPM | ||
Die Kaiserin, Akt III: "'s Glück ist in der Näh'" | Leo Fall, Orchester des Kölner Rundfunks, Franz Marszalek, Anny Schlemm, Franz Fehringer, Willy Schneider, Gretl Schörg, Willy Hofmann, Paul Bürks, Annelie Jansen, Ursula Feldhege, Franz Wolf, Hans Remagen, Julius Gamon | F♯ Minor | 1 | 11A | 121 BPM | ||
Carmen, WD 31 / Act 1: "Près des remparts de Séville" | Georges Bizet, Grace Bumbry, Deutsches Symphonie-Orchester Berlin, Janos Kulka | D Major | 2 | 10B | 84 BPM |