"La Boheme, dritter Akt: Sa dirmi, scusi" by Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli was released on April 29, 1961. With La Boheme, dritter Akt: Sa dirmi, scusi being less than two minutes long, at 1:27, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli's "Giacomo Puccini: La Boheme" album is number 14 out of 24. On top of that, Germany appears to be the country where this track was created. La Boheme, dritter Akt: Sa dirmi, scusi is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La Boheme, dritter Akt: Sa dirmi, scusi by Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli to be Larghetto (rather broadly) because the track has a tempo of 62 テンポ, a half-time of 31テンポ, and a double-time of 124 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Andrea Chenier: Act I: Compiacente á colloquii | Umberto Giordano, Sherrill Milnes, James Levine | F♯ Minor | 2 | 11A | 129 BPM | ||
Gianni Schicchi: "Ecco il notaro!" | Giacomo Puccini, Alfredo Mariotti, Dalibor Jenis, Danilo Serraiocco, Leo Nucci, Eva Podles, Roberto Alagna, Riccardo Cassinelli, Barbara Frittoli, Barbara Guerrini, Giorgio Giorgetti, Enrico Fissore, Orazio Mori, Nicoletta Curiel, Coro Di Voci Bianchi "Guido Monaco" Di Prato, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | F Major | 1 | 7B | 87 BPM | ||
Tosca / Act 2: "Floria...Amore..." | Giacomo Puccini, Giuseppe Di Stefano, Leontyne Price, Giuseppe Taddei, Leonardo Monreale, Wiener Philharmoniker, Herbert von Karajan | C Minor | 2 | 5A | 82 BPM | ||
È strano… Ah fors'è lui… Sempre libera (from La Traviata) | Dame Joan Sutherland, Orchestra of the Royal Opera House & Covent Garden, Francesco Molinari-Pradelli | D Major | 1 | 10B | 101 BPM | ||
La Fanciulla del West / Act 1: Dove eravamo? | Giacomo Puccini, Carol Neblett, Paul Crook, John Dobson, Robin Leggate, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta | F Minor | 0 | 4A | 59 BPM | ||
Bell Chorus (from Pagliacci) | The Accademia di Santa Cecilia Orchestra, Francesco Molinari-Pradelli, The Accademia di Santa Cecilia Chorus | G Major | 3 | 9B | 66 BPM | ||
Andrea Chénier / Act 3: Lacrime e sangue dà la Francia! | Umberto Giordano, Leo Nucci, Christa Ludwig, National Philharmonic Orchestra, Riccardo Chailly | F Major | 2 | 7B | 112 BPM | ||
Der Freischütz, Op. 77: Act II: Leise, leise | Carl Maria von Weber, Leontyne Price, Francesco Molinari-Pradelli | E Major | 1 | 12B | 95 BPM | ||
Puccini: Madama Butterfly, Act 2: "E Izaghi ed Izanami" (Suzuki, Butterfly) | Giacomo Puccini, Maria Callas, Lucia Danieli, Herbert von Karajan, Orchestra Del Teatro Alla Scala, Milano | A Minor | 1 | 8A | 74 BPM | ||
Puccini: Il tabarro: "Dunque, che cosa credi?" (Giorgetta, Michele, Un venditore di canzonette, Chorus) | Giacomo Puccini, Carlo Guelfi/Maria Guleghina/Barry Banks/London Voices/Terry Edwards/London Symphony Orchestra/Antonio Pappano, Antonio Pappano, London Symphony Orchestra | C Major | 1 | 8B | 72 BPM |