"Puccini: Il tabarro: "Dunque, che cosa credi?" (Giorgetta, Michele, Un venditore di canzonette, Chorus)" by Giacomo Puccini, Carlo Guelfi/Maria Guleghina/Barry Banks/London Voices/Terry Edwards/London Symphony Orchestra/Antonio Pappano, Antonio Pappano, London Symphony Orchestra was released on February 1, 1999. With this song being around four minutes long, at 3:48, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 58 in the song's album "Puccini: Il trittico". In this album, this song's track order is #4. Puccini: Il tabarro: "Dunque, che cosa credi?" (Giorgetta, Michele, Un venditore di canzonette, Chorus) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Puccini: Il tabarro: "Dunque, che cosa credi?" (Giorgetta, Michele, Un venditore di canzonette, Chorus) by Giacomo Puccini, Carlo Guelfi/Maria Guleghina/Barry Banks/London Voices/Terry Edwards/London Symphony Orchestra/Antonio Pappano, Antonio Pappano, London Symphony Orchestra having a テンポ of 72 with a half-time of 36 テンポ and a double-time of 144 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Inno delle nazioni: III. Andante mosso | Giuseppe Verdi, Freddie De Tommaso, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Riccardo Chailly | F♯ Major | 1 | 2B | 69 BPM | ||
Madame Butterfly - Grosser Querschnitt: Du, du, du | Alfred Brüggemann, Giacomo Puccini, Giuseppe Giacosa, Luigi Illica, Anneliese Rothenberger, Giuseppe Patanè, Orchester der Deutschen Oper Berlin | C Major | 1 | 8B | 82 BPM | ||
Tosca / Act 2: "Floria...Amore..." | Giacomo Puccini, Giuseppe Di Stefano, Leontyne Price, Giuseppe Taddei, Leonardo Monreale, Wiener Philharmoniker, Herbert von Karajan | C Minor | 2 | 5A | 82 BPM | ||
Symphony No. 8 in E-Flat Major "Symphony of a Thousand": Infirma nostri corporis virtute firmans perpeti | Gustav Mahler, Leonard Bernstein, London Symphony Orchestra | E♭ Major | 2 | 5B | 77 BPM | ||
Massenet: Werther, Act 3: "Traduire ! Ah ! Bien souvent mon rêve s'envole" - "Pourquoi me réveiller, ô souffle du Printemps ?" (Werther) | Jules Massenet, Roberto Alagna, London Symphony Orchestra, Antonio Pappano | G Minor | 1 | 6A | 111 BPM | ||
Massenet: Manon, Act 1 Scene 4: "Allez à l'auberge voisine" (Lescaut, Chorus) | Jules Massenet, Earle Patriarco/Marc Coulon/Ernest Frere/Choeurs de la Monnaie/Orchestre Symphonique de la Monnaie/Antonio Pappano, Antonio Pappano, Orchestra of the Théâtre Royal de La Monnaie, Brussels | C Major | 3 | 8B | 90 BPM | ||
Il barbiere di Siviglia / Act I: "La calunnia è un venticello" - "Ah! che ne dite?" (Basilio / Basilio, Bartolo, Figaro, Rosina) | Gioachino Rossini, Teresa Berganza, Enzo Dara, Hermann Prey, Paolo Montarsolo, Theodor Guschlbauer, London Symphony Orchestra, Claudio Abbado | D Major | 1 | 10B | 126 BPM | ||
Les Troyens, Op. 29, H 133, Act I: No. 1. "Ha, Ha! Après dix ans" | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis, Petra Lang | G Major | 4 | 9B | 74 BPM | ||
Beethoven: An die ferne Geliebte, Op. 98: II. "Wo die Berge so blau" | Ludwig van Beethoven, Ian Bostridge, Antonio Pappano | G Major | 1 | 9B | 124 BPM | ||
Puccini: Tosca, Act 2: "Meno male!" (Scarpia, Spoletta, Cavaradossi) | Giacomo Puccini, Tito Gobbi, Angelo Mercuriali, Giuseppe Di Stefano, Orchestra Del Teatro Alla Scala, Milano, Victor de Sabata | C Major | 2 | 8B | 111 BPM |