"Andrea Chenier: Act I: Compiacente á colloquii" by Umberto Giordano, Sherrill Milnes, James Levine was released on 1977. With Andrea Chenier: Act I: Compiacente á colloquii being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Umberto Giordano, James Levine's "Giordano: Andrea Chénier - The Sony Opera House" album is number 2 out of 39. Based on our statistics, Andrea Chenier: Act I: Compiacente á colloquii's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Andrea Chenier: Act I: Compiacente á colloquii by Umberto Giordano, Sherrill Milnes, James Levine to be Allegro (fast, quick, and bright) because the track has a tempo of 129 テンポ, a half-time of 64テンポ, and a double-time of 258 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cilea: Adriana Lecouvreur; Act 2: Principessa... Finalmente! | Francesco Cilea, Arturo Colautti, James Levine | C Major | 2 | 8B | 80 BPM | ||
Rigoletto / Act 1: "Gran nuova! Gran nuova!" - "Tutto è gioia, tutto è festa" (Scena e Coro) | Giuseppe Verdi, Christian Du Plessis, Luciano Pavarotti, Sherrill Milnes, John Gibbs, Riccardo Cassinelli, Ambrosian Opera Chorus, London Symphony Orchestra, Richard Bonynge | A♭ Major | 6 | 4B | 135 BPM | ||
Daphnis Et Chloé, M. 57: Abandoning Their Roles, the Lovers Embrace and Kneel at the Altar of the Nymphs | Maurice Ravel, Boston Symphony Orchestra, James Levine | G Major | 0 | 9B | 0 BPM | ||
Lehár: Giuditta: "In einem Meer von Liebe" (Giuditta, Chor) | Franz Lehár, Lucia Popp, Academy of St. Martin in the Fields, Sir Neville Marriner, Ambrosian Opera Chorus | E Major | 3 | 12B | 118 BPM | ||
Adriana Lecouvreur, Act I : Ecco, respiro appena… Io son l’umile ancella | Francesco Cilea, Arturo Colautti, Marina Rebeka, Marco Boemi, Wrocław Opera Orchestra | E Major | 2 | 12B | 88 BPM | ||
Giulietta: "Giulietta son io" | Mario del Monaco | A Minor | 3 | 8A | 86 BPM | ||
Prince Igor (Knyaz Igor), Act II: Ni sna ne otdikha | Alexander Borodin, Dmitri Hvorostovsky, Russia Spiritual Revival Choir, Philharmonia of Russia, Constantine Orbelian | D♭ Major | 3 | 3B | 140 BPM | ||
Rossini: La cenerentola, Act 2: "Nacqui all'affanno e al pianto.....Non più mesta" (Angelina) | Gioachino Rossini, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | E Major | 1 | 12B | 122 BPM | ||
Cilea: Adriana Lecouvreur; Act 2: O vagabonda | Francesco Cilea, Arturo Colautti, James Levine | G Minor | 3 | 6A | 165 BPM | ||
La Gioconda, Op. 9: "Enzo Grimaldo, Principe di Santafior, che pensi?" | Amilcare Ponchielli, Jonas Kaufmann, Ludovic Tezier, Antonio Pappano, Orchestra of the Accademia di Santa Cecilia, Rome | F Minor | 0 | 4A | 167 BPM |