Umberto Giordano, Leo Nucci, Christa Ludwig, National Philharmonic Orchestra, Riccardo Chailly's 'Andrea Chénier / Act 3: Lacrime e sangue dà la Francia!' came out on January 1, 1984. With Andrea Chénier / Act 3: Lacrime e sangue dà la Francia! being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Umberto Giordano, Luciano Pavarotti, Montserrat Caballé, Leo Nucci, Chorus of the Welsh National Opera, National Philharmonic Orchestra, Riccardo Chailly's "Giordano: Andrea Chénier" album is number 2 out of 30. In terms of popularity, Andrea Chénier / Act 3: Lacrime e sangue dà la Francia! is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Andrea Chénier / Act 3: Lacrime e sangue dà la Francia! by Umberto Giordano, Leo Nucci, Christa Ludwig, National Philharmonic Orchestra, Riccardo Chailly to be Moderato (at a moderate speed) because the track has a tempo of 112 テンポ, a half-time of 56テンポ, and a double-time of 224 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mozart: Don Giovanni, K. 527, Act 1: "Dalla sua pace" (Don Ottavio) | Wolfgang Amadeus Mozart, Nikolaus Harnoncourt, Hans Peter Blochwitz, Royal Concertgebouw Orchestra | F Major | 1 | 7B | 114 BPM | ||
Julius Caesar, HWV 17, Act III Scene 1: Flow, my tears (Cleopatra) | George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Valerie Masterson | E Major | 0 | 12B | 72 BPM | ||
Lucia di Lammermoor / Act 3: Oh, giusto cielo!...Il dolce suono | Gaetano Donizetti, Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Minor | 1 | 4A | 92 BPM | ||
Siberia, Act III "L'eroina": Gléby? (Live) | Umberto Giordano, Sonya Yoncheva, George Petean, Orchestra del Maggio Musicale Fiorentino, Gianandrea Noseda | E Major | 2 | 12B | 110 BPM | ||
Andrea Chénier / Act 1: Questo azzurra sofà ... Compiacente a'colloqui ... Son | Umberto Giordano, Michele Cazzato, Ettore Bastianini, Orchestra dell'Accademia Nazionale di Santa Cecilia, Gianandrea Gavazzeni | G Major | 2 | 9B | 193 BPM | ||
Lakmé / Act 2: "Où va la jeune Indoue" (Bell song) | Léo Delibes, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | D Minor | 1 | 7A | 168 BPM | ||
Loreley / Act 2: "Amor, celeste ebbrezza" | Alfredo Catalani, Maria Chiara, National Philharmonic Orchestra, Kurt Herbert Adler | G Major | 1 | 9B | 81 BPM | ||
Andrea Chenier: Act I: Compiacente á colloquii | Umberto Giordano, Sherrill Milnes, James Levine | F♯ Minor | 2 | 11A | 129 BPM | ||
Mozart: Le nozze di Figaro, Act 2: "Porgi amor qualche ristoro" (La Contessa) | Wolfgang Amadeus Mozart, Daniel Barenboim, Berliner Philharmoniker, Lella Cuberli | E♭ Major | 1 | 5B | 178 BPM | ||
Adriana Lecouvreur / Act 1: "Ecco: respiro appena ... Io son l'umile ancella" | Francesco Cilea, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | A♭ Major | 1 | 4B | 82 BPM |