Umberto Giordano, Michele Cazzato, Ettore Bastianini, Orchestra dell'Accademia Nazionale di Santa Cecilia, Gianandrea Gavazzeni's 'Andrea Chénier / Act 1: Questo azzurra sofà ... Compiacente a'colloqui ... Son' came out on January 1, 1970. With this song being about 5 minutes long, at 4:58, "Andrea Chénier / Act 1: Questo azzurra sofà ... Compiacente a'colloqui ... Son" by Umberto Giordano, Michele Cazzato, Ettore Bastianini, Orchestra dell'Accademia Nazionale di Santa Cecilia, Gianandrea Gavazzeni is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Umberto Giordano, Renata Tebaldi, Mario del Monaco, Ettore Bastianini, Fiorenza Cossotto, Orchestra dell'Accademia Nazionale di Santa Cecilia, Gianandrea Gavazzeni's "Giordano: Andrea Chénier" album is number 1 out of 30. On top of that, United Kingdom appears to be the country where this track was created. The popularity of Andrea Chénier / Act 1: Questo azzurra sofà ... Compiacente a'colloqui ... Son is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Andrea Chénier / Act 1: Questo azzurra sofà ... Compiacente a'colloqui ... Son by Umberto Giordano, Michele Cazzato, Ettore Bastianini, Orchestra dell'Accademia Nazionale di Santa Cecilia, Gianandrea Gavazzeni to be Presto (very, very fast) because the track has a tempo of 193 テンポ, a half-time of 96テンポ, and a double-time of 386 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Cenerentola: Overture (Sinfonia) | Gioachino Rossini, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A Minor | 1 | 8A | 116 BPM | ||
Roméo et Juliette, CG 9: "L'amour! l'amour! oui, son ardeur a troublé" | Charles Gounod, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | G Minor | 1 | 6A | 79 BPM | ||
Catalani: La Wally, Act 1: "Ebben? Andrò sola e lontana" (Wally) | Alfredo Catalani, Lamberto Gardelli, Munich Radio Orchestra | E Major | 1 | 12B | 168 BPM | ||
Faust / Act 3: "Ah! Je ris de me voir" | Charles Gounod, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | G Major | 3 | 9B | 76 BPM | ||
Carmen (1997 - Remaster), Act II: Entr'acte | Georges Bizet, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | E♭ Major | 0 | 5B | 72 BPM | ||
Rossini: Stabat Mater: I. Stabat Mater dolorosa (Soprano, Mezzo-soprano, Tenor, Bass, Chorus) | Gioachino Rossini, Anna Netrebko, Joyce DiDonato, Lawrence Brownlee, Ildebrando D'Arcangelo, Orchestra dell' Accademia Nazionale di Santa Cecilia, Roma, Coro dell'Accademia Nazionale Di Santa Cecilia, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | G Minor | 0 | 6A | 139 BPM | ||
Flotow: Martha / Act 3 - "M'appari" | Luciano Pavarotti, Richard Bonynge, New Philharmonia Orchestra | E Major | 3 | 12B | 125 BPM | ||
Cilèa: L'Arlesiana, Act 2: "È la solita storia del pastore" (Federico) | Francesco Cilea, Rolando Villazón, Marcello Viotti, Munich Radio Orchestra, Muenchner Rundfunkorchester | A Minor | 1 | 8A | 168 BPM | ||
Rossini: La cenerentola, Act 2: "Nacqui all'affanno e al pianto.....Non più mesta" (Angelina) | Gioachino Rossini, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | E Major | 1 | 12B | 122 BPM | ||
Pelléas et Mélisande, L.88 / Act 3: "Mes longs cheveux descendent" | Claude Debussy, Francois Le Roux, Maria Ewing, Wiener Philharmoniker, Claudio Abbado | A Minor | 1 | 8A | 123 BPM |