"A Midsummer Night's Dream / Act 2: A Midsummer Night's Dream, Act 2: "On The Ground, Sleep Sound"" by Benjamin Britten, Choir Of Downside School, Purley, Wandsworth School Boys Choir, London Symphony Orchestra was released on January 1, 1967. The duration of A Midsummer Night's Dream / Act 2: A Midsummer Night's Dream, Act 2: "On The Ground, Sleep Sound" is about 3 minutes long, at 3:04. Based on our data, "A Midsummer Night's Dream / Act 2: A Midsummer Night's Dream, Act 2: "On The Ground, Sleep Sound"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 5 out of 41 in Britten: A Midsummer Night's Dream by Benjamin Britten, Alfred Deller, Elizabeth Harwood, Choirs Of Downside And Emanuel Schools, London Symphony Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of A Midsummer Night's Dream / Act 2: A Midsummer Night's Dream, Act 2: "On The Ground, Sleep Sound" is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of A Midsummer Night's Dream / Act 2: A Midsummer Night's Dream, Act 2: "On The Ground, Sleep Sound" by Benjamin Britten, Choir Of Downside School, Purley, Wandsworth School Boys Choir, London Symphony Orchestra is Vivace (lively and fast), since this song has a tempo of 176 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Delerue: Such A Gorgeous Kid Like Me: Stanislas et Camille | Georges Delerue, Hugh Wolff, London Sinfonietta | C Major | 2 | 8B | 89 BPM | ||
Britten: Praise We Great Men, for Soloists, Chorus and Orchestra (Colin Matthews's Completed Version): II. Praise we the just | Benjamin Britten, Simon Halsey/Robert Tear/Sir Simon Rattle/Alison Hargan/Mary King/Sir Willard White/CBSO Chorus/City of Birmingham Symphony Orchestra, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | C Major | 0 | 8B | 78 BPM | ||
Scheherezade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Pelin Halkacı Alkın, Sascha Goetzel, Borusan Istanbul Philharmonic Orchestra | E Minor | 1 | 9A | 70 BPM | ||
The Planets, Op. 32: VII. Neptune, the Mystic | Gustav Holst, London Symphony Orchestra, Sir Colin Davis | A♭ Minor | 0 | 1A | 61 BPM | ||
Requiem in D minor, K.626: 1. Introitus: Requiem | Wolfgang Amadeus Mozart, Barbara Bonney, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D Minor | 1 | 7A | 90 BPM | ||
Appalachian Spring: I. Very Slowly | Aaron Copland, Leonard Bernstein, New York Philharmonic | A Major | 0 | 11B | 78 BPM | ||
Carnival of the Animals: XIII. The Swan | Camille Saint-Saëns, Barry Wordsworth, London Symphony Orchestra | G Major | 0 | 9B | 102 BPM | ||
Sonata in D Minor for Cello & Piano, L.135: 1. Prologue (lent) | Claude Debussy, Mstislav Rostropovich, Benjamin Britten | G Major | 0 | 9B | 66 BPM | ||
3 Gesänge, Op. 42: No. 1. Abendstandchen | Johannes Brahms, MDR Leipzig Radio Chorus, Wolf-Dieter Hauschild | F Major | 1 | 7B | 92 BPM | ||
Les Sirènes | Lili Boulanger, Antonii Baryshevskyi, Orpheus Vokalensemble, Michael Alber | F♯ Major | 0 | 2B | 132 BPM |