"Les Sirènes" by Lili Boulanger, Antonii Baryshevskyi, Orpheus Vokalensemble, Michael Alber was released on March 22, 2018. Les Sirènes is about six minutes long, preciously at 6:28, making this song fairly long compared to other songs. The track order of this song in Lili Boulanger, Antonii Baryshevskyi, Orpheus Vokalensemble, Michael Alber's "Lili Boulanger: Hymne au Soleil. Chorwerke" album is number 5 out of 15. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Les Sirènes's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Les Sirènes by Lili Boulanger, Antonii Baryshevskyi, Orpheus Vokalensemble, Michael Alber to be Allegro (fast, quick, and bright) because the track has a tempo of 132 テンポ, a half-time of 66テンポ, and a double-time of 264 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rückert-Lieder: Ich bin der Welt abhanden gekommen | Gustav Mahler, Anne Sofie von Otter, NDR Elbphilharmonie Orchester, John Eliot Gardiner | C Minor | 0 | 5A | 77 BPM | ||
Tom Bowling and Other Song Arrangements: Greensleeves | Benjamin Britten, Philip Langridge, Graham Johnson | B♭ Minor | 7 | 3A | 133 BPM | ||
Faust et Hélène | Lili Boulanger, Yan Pascal Tortelier, BBC Philharmonic, Lynne Dawson, Ann Murray, Bonaventura Bottone, Jason Howard | B Major | 2 | 1B | 88 BPM | ||
War Requiem, Op. 66 / Dies irae: IIa. Dies irae | Benjamin Britten, London Symphony Chorus, The Bach Choir, London Symphony Orchestra | G Major | 1 | 9B | 81 BPM | ||
Suite de danzas criollas, Op. 15 (2nd version): I. Adagietto pianissimo | Alberto Ginastera, Fernando Viani | C Major | 0 | 8B | 129 BPM | ||
Schoenberg - 4 Pieces from 6 Kleine Klavierstucke, Op. 19: No. 6. Sehr langsam | Hans Abrahamsen, Arnold Schoenberg, BIT20 Ensemble, Ilan Volkov | G Major | 0 | 9B | 0 BPM | ||
Quatuor pour la fin du Temps: VI. Danse de la fureur, pour les sept trompettes | Olivier Messiaen, Martin Fröst | D♭ Major | 2 | 3B | 107 BPM | ||
St. John Passion, BWV 245: Part I: Chorale: Herr, unser Herrscher (Chorus) | Johann Sebastian Bach, Joanne Lunn, Katherine Fuge, Bernarda Fink, Mark Padmore, Robert Murray, Paul Tindall, Hanno Müller-Brachmann, Peter Harvey, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | F♯ Minor | 3 | 11A | 137 BPM | ||
Requiem, Op. 9: I. Introit (1961 Version) | Maurice Duruflé, Stephen Cleobury, Choir of King's College, Cambridge, Orchestra of the Age of Enlightenment | F Major | 0 | 7B | 132 BPM | ||
Elégie | Erik Satie, Eva Lind, Jean Lemaire | B Major | 2 | 1B | 91 BPM |