"Quatuor pour la fin du Temps: VI. Danse de la fureur, pour les sept trompettes" by Olivier Messiaen, Martin Fröst was released on November 3, 2017. Quatuor pour la fin du Temps: VI. Danse de la fureur, pour les sept trompettes is about six minutes long, preciously at 6:03, making this song fairly long compared to other songs. The track order of this song in Olivier Messiaen, Martin Fröst, Lucas Debargue, Torleif Thedéen, Janine Jansen's "Messiaen: Quatuor pour la fin du temps (Quartet for the End of Time)" album is number 6 out of 8. In terms of popularity, Quatuor pour la fin du Temps: VI. Danse de la fureur, pour les sept trompettes is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Quatuor pour la fin du Temps: VI. Danse de la fureur, pour les sept trompettes by Olivier Messiaen, Martin Fröst to be Andante (at a walking pace) because the track has a tempo of 107 テンポ, a half-time of 54テンポ, and a double-time of 214 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Amicizia (Friendship): IV. Amabile | Ingvar Lidholm, Martin Fröst | C Major | 0 | 8B | 61 BPM | ||
Sonata in D Minor, K. 1 | Domenico Scarlatti, Martin Fröst | D Minor | 0 | 7A | 77 BPM | ||
Violin Sonata (version for clarinet and piano): II. Lento | Emma Johnson | E♭ Major | 0 | 5B | 73 BPM | ||
La clemenza di Tito, K. 621, Act I: Parto, ma tu, ben mio - Adagio | Wolfgang Amadeus Mozart, Martin Fröst, Swedish Chamber Orchestra | F Major | 1 | 7B | 168 BPM | ||
Shostakovich: Cello Concerto No. 1 in E-Flat Major, Op. 107: III. Cadenza | Dmitri Shostakovich, Gautier Capuçon, Valery Gergiev, Mariinsky Orchestra of Saint Petersburg | D Minor | 1 | 7A | 89 BPM | ||
3 Pieces for cello and piano: in E-Flat Minor | Nadia Boulanger, Emile Naoumoff, Roland Pidoux | E♭ Minor | 1 | 2A | 60 BPM | ||
Concerto for Recorder, Transverse Flute, Strings and Continuo in E Minor: IV. Presto | Georg Philipp Telemann, Martin Fröst, Royal Stockholm Philharmonic Orchestra | D Minor | 3 | 7A | 82 BPM | ||
Vers la flamme, Op. 72: Allegro moderato - Remastered | Alexander Scriabin, Vladimir Horowitz | C Minor | 3 | 5A | 108 BPM | ||
Sonata For 2 Pianos And Percussion, Sz. 110: 3. Allegro non troppo | Béla Bartók, Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis | A Major | 3 | 11B | 140 BPM | ||
Turangalîla-Symphony: VIII. Développement de l'amour. Bien modéré | Olivier Messiaen, Toronto Symphony Orchestra, Gustavo Gimeno, Marc-André Hamelin, Nathalie Forget | A♭ Minor | 3 | 1A | 81 BPM |