Béla Bartók, Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis's 'Sonata For 2 Pianos And Percussion, Sz. 110: 3. Allegro non troppo' came out on January 1, 1994. Sonata For 2 Pianos And Percussion, Sz. 110: 3. Allegro non troppo is about six minutes long, preciously at 6:15, making this song fairly long compared to other songs. The song is number 3 out of 12 in Bartók: Sonata For 2 Pianos And Percussion, Sz. 110 / Ravel: Ma mère l'oye, M. 62; Rapsodie espagnole, M. 54 by Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Sonata For 2 Pianos And Percussion, Sz. 110: 3. Allegro non troppo's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Sonata For 2 Pianos And Percussion, Sz. 110: 3. Allegro non troppo by Béla Bartók, Martha Argerich, Nelson Freire, Peter Sadlo, Edgar Guggeis is Allegro (fast, quick, and bright), since this song has a tempo of 140 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Andante in A Major, BB 26b | Béla Bartók, James Ehnes, Andrew Armstrong | E Minor | 1 | 9A | 60 BPM | ||
Rachmaninov: 6 Morceaux, Op. 11: No. 3, Thème russe (Live) | Sergei Rachmaninoff, Martha Argerich, Lilya Zilberstein | A Major | 1 | 11B | 76 BPM | ||
4 Piano Pieces, Op. 119: 3. Intermezzo in C | Johannes Brahms, Nelson Freire | E♭ Major | 2 | 5B | 123 BPM | ||
Poulenc: Clarinet Sonata, FP 184: II. Romanza | Francis Poulenc, Sabine Meyer | G Minor | 0 | 6A | 67 BPM | ||
Piano Concerto No. 1 in B-Flat Minor, Op. 23: Andantino simplice | Pyotr Ilyich Tchaikovsky, Van Cliburn, Kirill Kondrashin | D♭ Major | 0 | 3B | 98 BPM | ||
Piano Sonata in B Minor, S. 178: Cantando espressivo | Franz Liszt, Martha Argerich | F♯ Major | 3 | 2B | 75 BPM | ||
Le Carnaval des Animaux: Fossiles | Camille Saint-Saëns, Eduard Brunner, Markus Steckeler, Martha Argerich, Nelson Freire, Gidon Kremer, Isabelle van Keulen, Tabea Zimmermann, Mischa Maisky, Georg Maximilian Hörtnagel | E♭ Major | 3 | 5B | 119 BPM | ||
Piano Concerto No. 1 in E Minor, Op. 11: III. Rondo. Vivace | Frédéric Chopin, Martha Argerich, London Symphony Orchestra, Claudio Abbado | E Major | 2 | 12B | 123 BPM | ||
My Grief | John Bull, Mishka Rushdie Momen | F♯ Major | 0 | 2B | 66 BPM | ||
Quatuor pour la fin du Temps: IV. Intermède | Olivier Messiaen, Martin Fröst | F♯ Major | 2 | 2B | 96 BPM |