"Carnival of the Animals: XIII. The Swan" by Camille Saint-Saëns, Barry Wordsworth, London Symphony Orchestra was released on January 1, 2005. The duration of Carnival of the Animals: XIII. The Swan is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Carnival of the Animals: XIII. The Swan's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 26 in the song's album "Saint-Saëns: Carnival of the Animals; Bizet: Jeux d'enfants; Ravel: Mother Goose". In this album, this song's track order is #13. In terms of popularity, Carnival of the Animals: XIII. The Swan is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Carnival of the Animals: XIII. The Swan by Camille Saint-Saëns, Barry Wordsworth, London Symphony Orchestra having a テンポ of 102 with a half-time of 51 テンポ and a double-time of 204 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Hebrides, Op. 26 "Fingal's Cave" | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | D Major | 1 | 10B | 137 BPM | ||
The Rite of Spring, Part 1: II. The Augurs of Spring - Dances of the Young Girls | Igor Stravinsky, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | B♭ Major | 3 | 6B | 115 BPM | ||
Fantasia on British Sea Songs: Fantasia on British Sea Songs (excerpt) | Sir Henry Wood, BBC Concert Orchestra, Barry Wordsworth | A Major | 1 | 11B | 136 BPM | ||
Mother Goose: V. Petit Poucet | Maurice Ravel, Barry Wordsworth, London Symphony Orchestra | C Minor | 0 | 5A | 96 BPM | ||
Scheherazade: The Sea & Sinbad's Ship | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 1 | 12B | 82 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio (Excerpt) | Max Bruch, Yehudi Menuhin, Philharmonia Orchestra, Walter Susskind | E♭ Major | 1 | 5B | 105 BPM | ||
Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italiana. Andantino | Ottorino Respighi, Orchestra Filarmonica Della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | ||
Violin Sonata in A major, FWV 8: IV. Allegretto poco mosso | César Franck, Joshua Bell, Jeremy Denk | A Major | 1 | 11B | 94 BPM | ||
Karneval der Tiere: II. Hühner | Benedikt ter Braak, Camille Saint-Saëns, Chronatic Quartet | C Major | 9 | 8B | 179 BPM | ||
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM |