On January 1, 2000, the song "Fantasia on British Sea Songs: Fantasia on British Sea Songs (excerpt)" was released by Sir Henry Wood, BBC Concert Orchestra, Barry Wordsworth. The duration of Fantasia on British Sea Songs: Fantasia on British Sea Songs (excerpt) is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Fantasia on British Sea Songs: Fantasia on British Sea Songs (excerpt)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Pomp and Circumstance". In this album, this song's track order is #12. Based on our statistics, Fantasia on British Sea Songs: Fantasia on British Sea Songs (excerpt)'s popularity is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Fantasia on British Sea Songs: Fantasia on British Sea Songs (excerpt) by Sir Henry Wood, BBC Concert Orchestra, Barry Wordsworth having a テンポ of 136 with a half-time of 68 テンポ and a double-time of 272 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lions and Lizards Rock Café | Sarah Class, Elizabeth Purnell, BBC Concert Orchestra | D Minor | 4 | 7A | 140 BPM | ||
The Sleeping Beauty, Act I, Op. 66: No. 6, Waltz | State Academic Symphony Orchestra of the USSR, Yevgeny Svetlanov | B♭ Major | 2 | 6B | 103 BPM | ||
Polka Italienne | La Sinfónica Clásica | E♭ Major | 2 | 5B | 126 BPM | ||
Aida / Act 2: Grand March | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | E♭ Major | 0 | 5B | 110 BPM | ||
Eugene Onegin, Op. 24: Act III Scene 1: Polonaise | Pyotr Ilyich Tchaikovsky, Slovak Radio Symphony Orchestra, Ondrej Lenard | F Major | 3 | 7B | 88 BPM | ||
Serenade No. 13 in G Major, K. 525, "Eine kleine Nachtmusik": II. Romanze: Andante | Wolfgang Amadeus Mozart, Capella Istropolitana, Wolfgang Sobotka | C Major | 0 | 8B | 143 BPM | ||
Crown Imperial | William Walton, The Coldstream Guards Band | C Major | 5 | 8B | 116 BPM | ||
Pictures At An Exhibition: Promenade | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | A♭ Major | 0 | 4B | 87 BPM | ||
Orchestral Suite in C Major, TWV 55:C3 "Hamburger Ebb und Fluth": VII. Der sturmende Aeolus | Georg Philipp Telemann, Stefano Bagliano, Collegium Pro Musica | F♯ Major | 4 | 2B | 140 BPM | ||
Exodus | BBC Concert Orchestra | B Minor | 2 | 10A | 60 BPM |