State Academic Symphony Orchestra of the USSR, Yevgeny Svetlanov made "The Sleeping Beauty, Act I, Op. 66: No. 6, Waltz" available on January 22, 2014. With this song being about 5 minutes long, at 4:39, "The Sleeping Beauty, Act I, Op. 66: No. 6, Waltz" by State Academic Symphony Orchestra of the USSR, Yevgeny Svetlanov is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 19 in the song's album "Tchaikovsky: The Greatest Hits". In this album, this song's track order is #13. Furthermore, we believe that the track originated from France. In terms of popularity, The Sleeping Beauty, Act I, Op. 66: No. 6, Waltz is currently below average in popularity. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With The Sleeping Beauty, Act I, Op. 66: No. 6, Waltz by State Academic Symphony Orchestra of the USSR, Yevgeny Svetlanov having a テンポ of 103 with a half-time of 52 テンポ and a double-time of 206 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Farandole | Georges Bizet, Arthur Fiedler, Boston Pops Orchestra | D Major | 6 | 10B | 101 BPM | ||
Die Fledermaus (The Bat), Overture (RV 503-1) | Johann Strauss II, Edouard Strauss Orchestra, Edouard Strauss | D Major | 1 | 10B | 99 BPM | ||
Bergakungen (The Mountain King), Op. 37: Act III Scene 1: Vallflickans dans (The hersmaid's dances) | Hugo Alfvén, Swedish Radio Symphony Orchestra, Yevgeny Svetlanov | G Major | 1 | 9B | 154 BPM | ||
Melody in F, Op.3, No.1 - Arr. G. Saborow | Anton Rubinstein, Irina Saizewa, Violin Ensemble of the Bolshoi Theatre, Moscow, Julij Rejentowitsch | F Major | 2 | 7B | 85 BPM | ||
Valse-Caprice in E-Flat Major | Anton Rubinstein, Yevgeny Svetlanov, USSR State Symphony Orchestra | E♭ Major | 3 | 5B | 124 BPM | ||
Act I - Dance Of The Soviet Sailors: Apple | St. Petersburg State Symphony Orchestra, Reinhold Glière | D Minor | 3 | 7A | 79 BPM | ||
Suite: I Have a Bonnet Trimmed with Blue | John Rutter, Royal Ballet Sinfonia, David Lloyd-Jones | F Major | 0 | 7B | 79 BPM | ||
Ivan Susanin: Mazurka | Mikhail Glinka, USSR Symphony Orchestra, Yevgeny Svetlanov | E♭ Major | 1 | 5B | 93 BPM | ||
Violin Concerto in A Minor, BWV 1041: I. Allegro | Johann Sebastian Bach, Kolja Blacher, Cologne Chamber Orchestra, Helmut Muller-Bruhl | A Minor | 3 | 8A | 106 BPM | ||
Raymonda, Op. 57 "Act one, First Tableau": Scene 5 - Mime scene | Alexander Glazunov, The State Academic Symphony Orchestra, Yevgeny Svetlanov | C Major | 1 | 8B | 136 BPM |