"Melody in F, Op.3, No.1 - Arr. G. Saborow" by Anton Rubinstein, Irina Saizewa, Violin Ensemble of the Bolshoi Theatre, Moscow, Julij Rejentowitsch was released on January 1, 1973. The duration of Melody in F, Op.3, No.1 - Arr. G. Saborow is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Melody in F, Op.3, No.1 - Arr. G. Saborow's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 13 in Flight Of The Bumble Bee by Bolshoi Theatre Violin Ensemble, Julij Rejentowitsch, Irina Zaitseva. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Melody in F, Op.3, No.1 - Arr. G. Saborow is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Melody in F, Op.3, No.1 - Arr. G. Saborow by Anton Rubinstein, Irina Saizewa, Violin Ensemble of the Bolshoi Theatre, Moscow, Julij Rejentowitsch is Andante (at a walking pace), since this song has a tempo of 85 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Demon: Act II: Na Vozdushnom akiane | Anton Rubinstein, Dmitri Hvorostovsky, Florence Illi-Hvorostovsky, Russia Spiritual Revival Choir, Philharmonia of Russia, Constantine Orbelian | C Major | 3 | 8B | 81 BPM | ||
2 Melodies, Op. 3: No. 1 in F Major (arr. D. Popper): Melody in F Major, Op.3, No. 1 (arr. D. Popper) | David Popper, Anton Rubinstein, Gregor Piatigorsky, Ralph Berkowitz | D Major | 1 | 10B | 105 BPM | ||
Soirees a Saint-Petersbourg, Op. 44: No. 1. Romance in E-Flat Major (arr. for string ensemble) | Anonymous, Anton Rubinstein, Budapest Strings, Béla Bánfalvi | E♭ Major | 0 | 5B | 106 BPM | ||
Piano Quartet in E Flat, Op. 47: 3. Andante cantabile | Robert Schumann, Menahem Pressler, Emerson String Quartet | B♭ Major | 0 | 6B | 104 BPM | ||
2 Melodies, Op. 3: No. 1 in F Major (arr. B. Traubas for cello and orchestra): Melodie (arr. B. Traubas) | Borisas Traubas, Anton Rubinstein, Vytautas Sondeckis, Lithuanian Chamber Orchestra, David Geringas | D Major | 1 | 10B | 86 BPM | ||
6 Album Leaves, Op. 2, JB 1:51: No. 3 in G Major, Vivace | Bedřich Smetana, Jitka Čechová | G Major | 2 | 9B | 144 BPM | ||
Shéhérazade, Op. 35: III. The Young Prince and the Young Princess | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | G Major | 0 | 9B | 103 BPM | ||
Symphony No. 3 In A Minor, Op. 56, MWV N 18 - "Scottish": 2. Vivace non troppo | Felix Mendelssohn, London Symphony Orchestra, Peter Maag | F Major | 3 | 7B | 132 BPM | ||
Gounod: Faust, CG 4, Act 2 Scene 5: Waltz | Charles Gounod, Willi Boskovsky/Wiener Symphoniker, Willi Boskovsky, Wiener Philharmoniker, Wiener Symphoniker | D Major | 2 | 10B | 92 BPM | ||
Romance in F Major, Op. 50 | Ludwig van Beethoven, Charlie Siem, Philharmonia Orchestra, Oleg Caetani | F Major | 1 | 7B | 114 BPM |