"Carmen, WD 31 / Act 4: C'est toi, c'est-moi!" by Georges Bizet, Freddie De Tommaso, Aigul Akhmetshina, Apollo Voices, Philharmonia Orchestra, Paolo Arrivabeni was released on June 24, 2022. Carmen, WD 31 / Act 4: C'est toi, c'est-moi! is about six minutes long, preciously at 6:15, making this song fairly long compared to other songs. The track order of this song in Freddie De Tommaso, Philharmonia Orchestra, Paolo Arrivabeni, Georges Bizet, Giacomo Puccini's "Il Tenore" album is number 13 out of 14. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Carmen, WD 31 / Act 4: C'est toi, c'est-moi!'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Carmen, WD 31 / Act 4: C'est toi, c'est-moi! by Georges Bizet, Freddie De Tommaso, Aigul Akhmetshina, Apollo Voices, Philharmonia Orchestra, Paolo Arrivabeni to be Allegro (fast, quick, and bright) because the track has a tempo of 125 テンポ, a half-time of 62テンポ, and a double-time of 250 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Donizetti: Lucia di Lammermoor, Act 1: "Quando rapito in estasi" (Lucia, Alisa) | Gaetano Donizetti, Maria Callas, Anna Maria Canali, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin | D Major | 1 | 10B | 169 BPM | ||
La Traviata, Act I: Che è ciò — Un dì felice | Giuseppe Verdi, Lisette Oropesa, René Barbera, Ilseyar Khayrullova, Menna Cazel, Francesco Pittari, Daniel Oren, Dresdner Philharmonie, Sächsischer Staatsopernchor Dresden | B♭ Major | 1 | 6B | 81 BPM | ||
Donizetti: Lucia di Lammermoor, Act 1: "Sulla tomba che rinserra il tradito genitore" (Edgardo, Lucia) | Gaetano Donizetti, Maria Callas, Giuseppe Di Stefano, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin | D Major | 1 | 10B | 169 BPM | ||
Molinos de Viento: Concertante | Marcos Redondo, Delfín Pulido, Felisa Herrero | E Major | 2 | 12B | 77 BPM | ||
Mendelssohn: A Midsummer Night's Dream, Op. 61, MWV M13: Finale. "Through the House" | Felix Mendelssohn, Otto Klemperer, Heather Harper, The Philharmonia Chorus, Philharmonia Orchestra | E♭ Major | 2 | 5B | 90 BPM | ||
Bellini: Norma: "Meco all'altar di Venere" - "Me protegge, me difende" (Pollione, Flavio, Druidi) | Vincenzo Bellini, Michael Spyres, Christophe Rousset, Les Talens Lyriques, Julien Henric, Le Jeune Choeur de Paris | G Major | 1 | 9B | 62 BPM | ||
4 Lieder, Op. 27, TrV 170: 4. Morgen! | Richard Strauss, Lise Davidsen, Zsolt-Tihamér Visontay, Philharmonia Orchestra, Esa-Pekka Salonen | G Major | 0 | 9B | 171 BPM | ||
La Gioconda / Act 1: Feste! Pane! Feste! | Amilcare Ponchielli, Sherrill Milnes, The London Opera Chorus, National Philharmonic Orchestra, Bruno Bartoletti | B♭ Major | 4 | 6B | 67 BPM | ||
Lucia di Lammermoor, Act I: Ah, verranno a te sull'aure | Gaetano Donizetti, Zuzana Markova, Andrea Bocelli, Orchestra del Teatro Carlo Felice di Genova, Andriy Yurkevych | D♭ Major | 4 | 3B | 78 BPM | ||
Les Pêcheurs de perles: Act III: L'orage s'est calmé...O Nadir (Zurga) | Georges Bizet, Ernest Blanc/Orchestre du Théâtre National de I'Opéra-Comique/Pierre Dervaux, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique, Orchestre Du Theatre National De L'opera-comique | D Major | 1 | 10B | 92 BPM |