"Le nozze di Figaro, K.492, Act IV: Aria. "Deh vieni non tardar"" by Wolfgang Amadeus Mozart, Golda Schultz, Kammerakademie Potsdam, Antonello Manacorda was released on April 12, 2024. The duration of Le nozze di Figaro, K.492, Act IV: Aria. "Deh vieni non tardar" is about 3 minutes long, at 3:04. Based on our data, "Le nozze di Figaro, K.492, Act IV: Aria. "Deh vieni non tardar"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Wolfgang Amadeus Mozart, Golda Schultz, Antonello Manacorda, Kammerakademie Potsdam's "Mozart, You Drive Me Crazy!" album is number 5 out of 17. On top of that, France appears to be the country where this track was created. Based on our statistics, Le nozze di Figaro, K.492, Act IV: Aria. "Deh vieni non tardar"'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Le nozze di Figaro, K.492, Act IV: Aria. "Deh vieni non tardar" by Wolfgang Amadeus Mozart, Golda Schultz, Kammerakademie Potsdam, Antonello Manacorda to be Allegro (fast, quick, and bright) because the track has a tempo of 123 テンポ, a half-time of 62テンポ, and a double-time of 246 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gia la notte s'avvicina | Isabella Colbran, Maria Chiara Pizzoli, Marianne Gubri | D Major | 1 | 10B | 85 BPM | ||
3 Poèmes de Stéphane Mallarmé, M. 64: No. 2, Placet futile | Maurice Ravel, Sandrine Piau, Orchestre Victor Hugo, Jean-François Verdier | F♯ Major | 1 | 2B | 82 BPM | ||
Floridante, Act III, HWV 14: “Amor commanda” | Charlotte Hoather | B♭ Major | 1 | 6B | 79 BPM | ||
12 Romances, Op. 14: No. 11, Spring Waters | Sergei Rachmaninoff, Hein Jung, Grigorios Zamparas | G Major | 0 | 9B | 79 BPM | ||
Mi lagnero tacendo, K. 437 | Wolfgang Amadeus Mozart, Christine Schäfer, Gundula Hintz, Dietrich Fischer-Dieskau, Bläser der Berliner Philharmoniker | A♭ Major | 2 | 4B | 109 BPM | ||
Iris, Act I: Apri la tua finestra! | Pietro Mascagni, Vittorio Grigolo, Pier Giorgio Morandi, Czech National Symphony Orchestra | F Major | 1 | 7B | 170 BPM | ||
Otello: Assisa a’ piè d’un salice | Gioachino Rossini, Hera Hyesang Park, Orchestra del Teatro Carlo Felice, Jochen Rieder | F♯ Minor | 2 | 11A | 80 BPM | ||
L'Olimpiade, Act I Scene 3: Aria. "O care selve" | Domenico Cimarosa, Marie Lys, Christophe Rousset, Les Talens Lyriques | C Major | 3 | 8B | 139 BPM | ||
Villanelle | Cécile Chaminade, Sivan Goldman, Shira Shaked | C Major | 2 | 8B | 53 BPM | ||
Aquel Sombrero de Monte | Fernando Obradors, Pilar Lorengar, Miguel Zanetti | F Major | 0 | 7B | 84 BPM |