"Iris, Act I: Apri la tua finestra!" by Pietro Mascagni, Vittorio Grigolo, Pier Giorgio Morandi, Czech National Symphony Orchestra was released on April 5, 2024. The duration of Iris, Act I: Apri la tua finestra! is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Iris, Act I: Apri la tua finestra!'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Verissimo by Vittorio Grigolo, Pier Giorgio Morandi, Czech National Symphony Orchestra. The song's track number on the album is #2 out of 15 tracks. Based on our data, United States was the country where this track was produced or recorded. The popularity of Iris, Act I: Apri la tua finestra! is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Iris, Act I: Apri la tua finestra! by Pietro Mascagni, Vittorio Grigolo, Pier Giorgio Morandi, Czech National Symphony Orchestra has a tempo of 170 beats per a minute, the tempo markings of this song would be Vivace (lively and fast). With Iris, Act I: Apri la tua finestra! being at 170 テンポ, the half-time would be 85 テンポ with a double-time of 340 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
L'amico Fritz / Act 2: "Suzel, buon di" | Pietro Mascagni, Cecilia Bartoli, Luciano Pavarotti, London Voices, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly | A Major | 1 | 11B | 71 BPM | ||
Cavalleria Rusticana: Intermezzo | Pietro Mascagni, Czech Symphony Orchestra, Michaela Rózsa Růžičková | B♭ Major | 2 | 6B | 134 BPM | ||
Cavalleria Rusticana: Finale | Pietro Mascagni, Balthasar Neumann Orchestra, Thomas Hengelbrock, Balthasar Neumann Choir, Catarina Lopez Moreno, Giorgio Berrugi | E♭ Major | 1 | 5B | 76 BPM | ||
Adagetto in F Major | Giacomo Puccini, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly | F Major | 0 | 7B | 81 BPM | ||
Klarinettenkonzert A-Dur, K. 622: 2. Adagio (Jenseits von Afrika): II. Adagio | Wolfgang Amadeus Mozart, David Shifrin, Mostly Mozart Orchestra, Gerard Schwarz | D Major | 0 | 10B | 78 BPM | ||
The Gadfly Suite, Op. 97a: No. 8 Romance | Dmitri Shostakovich, Charlie Siem, Munich Radio Orchestra, Paul Goodwin | D♭ Major | 1 | 3B | 133 BPM | ||
Les Contes d'Hoffmann: Barcarolle | Jacques Offenbach, Valery Gergiev, Wiener Philharmoniker | D Major | 0 | 10B | 79 BPM | ||
Symphony No. 5: IV. Adagietto. Sehr langsam | Gustav Mahler, Valery Gergiev, London Symphony Orchestra | F Major | 0 | 7B | 66 BPM | ||
Cavalleria Rusticana: Intermezzo | Pietro Mascagni, Royal Liverpool Philharmonic Orchestra, Libor Pešek | F Major | 1 | 7B | 87 BPM |