"Klarinettenkonzert A-Dur, K. 622: 2. Adagio (Jenseits von Afrika): II. Adagio" by Wolfgang Amadeus Mozart, David Shifrin, Mostly Mozart Orchestra, Gerard Schwarz was released on January 1, 1985. Since Klarinettenkonzert A-Dur, K. 622: 2. Adagio (Jenseits von Afrika): II. Adagio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Wolfgang Amadeus Mozart, David Shifrin, Gerard Schwarz's "Mozart, W.A.: Clarinet Concerto in A Major / Clarinet Quintet in A Major" album is number 2 out of 7. On top of that, United States appears to be the country where this track was created. Klarinettenkonzert A-Dur, K. 622: 2. Adagio (Jenseits von Afrika): II. Adagio is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Klarinettenkonzert A-Dur, K. 622: 2. Adagio (Jenseits von Afrika): II. Adagio by Wolfgang Amadeus Mozart, David Shifrin, Mostly Mozart Orchestra, Gerard Schwarz to be Andante (at a walking pace) because the track has a tempo of 78 テンポ, a half-time of 39テンポ, and a double-time of 156 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
The music key of this track is D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Gazza Ladra - La Urraca Ladrona Obertura | Gioachino Rossini, Inma Shara | E Major | 1 | 12B | 138 BPM | ||
Beethoven: Piano Sonata No. 8 in C Minor, Op. 13 "Pathétique": II. Adagio cantabile | Ludwig van Beethoven, Stephen Kovacevich | A♭ Major | 0 | 4B | 126 BPM | ||
Oboe Concerto in D Minor: II. Adagio | Alessandro Marcello, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra | D Minor | 1 | 7A | 131 BPM | ||
The Gadfly Suite, Op. 97a: No. 8 Romance | Dmitri Shostakovich, Charlie Siem, Munich Radio Orchestra, Paul Goodwin | D♭ Major | 1 | 3B | 133 BPM | ||
Nocturne en mi bémol majeur opus 9 n°2: Ballade en Sol Mineur No.1 | Frédéric Chopin, Luis Fernando Pérez | E♭ Major | 0 | 5B | 61 BPM | ||
Vocalise, Op. 34, No. 14 - Version For Cello And Piano | Sergei Rachmaninoff, Mischa Maisky, Pavel Gililov | E Minor | 8 | 9A | 128 BPM | ||
Grieg: Peer Gynt, Op. 23, Act 4: Prelude. Morning Mood | Edvard Grieg, Academy of St. Martin in the Fields, Sir Neville Marriner | E Major | 0 | 12B | 137 BPM | ||
Massenet: Thaïs, Act 2: Méditation | Jules Massenet, Min Kym | D Major | 1 | 10B | 95 BPM | ||
Ständchen (From Schwanengesang, D957) | Franz Liszt, Evgeny Kissin | D Major | 0 | 10B | 68 BPM | ||
Andante Festivo | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 1 | 9B | 86 BPM |