Gioachino Rossini, Inma Shara's 'La Gazza Ladra - La Urraca Ladrona Obertura' came out on November 15, 2011. The duration of La Gazza Ladra - La Urraca Ladrona Obertura is about 3 minutes long, at 3:04. Based on our data, "La Gazza Ladra - La Urraca Ladrona Obertura" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Inma Shara's "La Isla De Los Sonidos: La Ciudad Sin Luz" album is number 5 out of 13. Based on our statistics, La Gazza Ladra - La Urraca Ladrona Obertura's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La Gazza Ladra - La Urraca Ladrona Obertura by Gioachino Rossini, Inma Shara to be Allegro (fast, quick, and bright) because the track has a tempo of 138 テンポ, a half-time of 69テンポ, and a double-time of 276 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Holberg Suite, Op. 40: 1. Präludium (Allegro vivace) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 1 | 9B | 135 BPM | ||
Der Barbier von Sevilla (Il Barbiere di Siviglia) · Arien und Szenen in deutscher Sprache (2000 Digital Remaster), Act 2: Ist er's wirklich? (Rosine, Figaro, Graf Almaviva) (Ah, Qual Colpo) | Cesare Sterbini, Gioachino Rossini, Pierre-Augustin Caron de Beaumarchais, Hermann Prey, Erika Köth, Richard Holm, Gottlob Frick, Berliner Symphoniker, Wilhelm Schüchter, Wilhelm Schuechter | C Major | 3 | 8B | 83 BPM | ||
The 4 Seasons: Violin Concerto in E major, Op. 8, No. 1, RV 269, "La primavera" (Spring): II. Largo e pianissimo sempre | Karoly Botvay | D♭ Minor | 0 | 12A | 88 BPM | ||
Warsaw Concerto | Richard Addinsell, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff | B Major | 1 | 1B | 76 BPM | ||
Otto e mezzo | Orchestre de la Suisse Romande | G Major | 1 | 9B | 75 BPM | ||
Symphony No. 2 In C Minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Im Tempo nachgeben | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | B Major | 1 | 1B | 152 BPM | ||
Il barbiere di Siviglia: Overture (Sinfonia) | Gioachino Rossini, Orchestra del Teatro San Carlo di Napoli, Silvio Varviso | E Major | 2 | 12B | 95 BPM | ||
El Lago De Los Cisnes - Op. 20, Acto II: 10. Scene (Moderato) | Pyotr Ilyich Tchaikovsky, Inma Shara | B Minor | 1 | 10A | 73 BPM | ||
Walzer (a la Paganini), Op. 11 | Johann Strauss I, Slovak Sinfonietta, Zilina, Christian Pollack | D Major | 1 | 10B | 164 BPM | ||
Pachelbel - Canon In D | Hollywood Symphony Orchestra | D Major | 1 | 10B | 102 BPM |