"The 4 Seasons: Violin Concerto in E major, Op. 8, No. 1, RV 269, "La primavera" (Spring): II. Largo e pianissimo sempre" by Karoly Botvay was released on January 1, 1996. The duration of The 4 Seasons: Violin Concerto in E major, Op. 8, No. 1, RV 269, "La primavera" (Spring): II. Largo e pianissimo sempre is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. The 4 Seasons: Violin Concerto in E major, Op. 8, No. 1, RV 269, "La primavera" (Spring): II. Largo e pianissimo sempre's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vivaldi, A.: The 4 Seasons / Sinfonias, Rv 112, 132, 149 and 169 by Karoly Botvay. The song's track number on the album is #2 out of 23 tracks. The 4 Seasons: Violin Concerto in E major, Op. 8, No. 1, RV 269, "La primavera" (Spring): II. Largo e pianissimo sempre is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since The 4 Seasons: Violin Concerto in E major, Op. 8, No. 1, RV 269, "La primavera" (Spring): II. Largo e pianissimo sempre by Karoly Botvay has a tempo of 88 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With The 4 Seasons: Violin Concerto in E major, Op. 8, No. 1, RV 269, "La primavera" (Spring): II. Largo e pianissimo sempre being at 88 テンポ, the half-time would be 44 テンポ with a double-time of 176 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 5/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Raymonda, Act I: Prelude et Variation | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | B Major | 0 | 1B | 104 BPM | ||
Flute and Harp Concerto in C, K.299: II. Andantino | Fritz Helmis, Herbert von Karajan, Berliner Philharmoniker, James Galway | C Major | 1 | 8B | 117 BPM | ||
Serenade in C Major, Op. 48: II. Walzer | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | G Major | 2 | 9B | 180 BPM | ||
Piano Quartet in F Minor, Op. 10: I. Allegro un poco moderato | Léon Boëllmann, Bela Banfalvi, Karoly Botvay, János Fehérvári, Ilona Prunyi | F Minor | 1 | 4A | 86 BPM | ||
Sonata No. 15 in C Major, I. Allegro | Maria João Pires | C Major | 1 | 8B | 136 BPM | ||
Vocalise, Op. 34, No. 14 - Version For Cello And Piano | Sergei Rachmaninoff, Mischa Maisky, Pavel Gililov | E Minor | 8 | 9A | 128 BPM | ||
Harp Concerto: II. Adagio | Johann Georg Albrechtsberger, Andrea Vigh, Budapest Strings, Karoly Botvay | G Major | 0 | 9B | 107 BPM | ||
Vaughan Williams: Job, a Masque for Dancing, Scene 9: Epilogue | Ralph Vaughan Williams, Andrew Davis, BBC Symphony Orchestra | G Minor | 0 | 6A | 99 BPM | ||
Songs My Mother Taught Me, Op.55 No.4 | Antonín Dvořák, Alisa Weilerstein, Anna Polonsky | D Major | 0 | 10B | 96 BPM | ||
Chanson de Matin, Op.15, No.2 | Edward Elgar, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | G Major | 1 | 9B | 89 BPM |