Wolfgang Amadeus Mozart, Christine Schäfer, Gundula Hintz, Dietrich Fischer-Dieskau, Bläser der Berliner Philharmoniker made "Mi lagnero tacendo, K. 437" available on July 1, 2016. With this song being around four minutes long, at 3:50, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Wolfgang Amadeus Mozart, Bläser der Berliner Philharmoniker's "Mozart: 6 Notturni, Divertimenti, Le nozze di Figaro Arias for Wind Ensemble" album is number 4 out of 20. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Mi lagnero tacendo, K. 437 is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Mi lagnero tacendo, K. 437 by Wolfgang Amadeus Mozart, Christine Schäfer, Gundula Hintz, Dietrich Fischer-Dieskau, Bläser der Berliner Philharmoniker to be Moderato (at a moderate speed) because the track has a tempo of 109 テンポ, a half-time of 54テンポ, and a double-time of 218 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
The music key of this track is A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Creation, Hob.XXI,2: Pt. 1, Awake the Harp, the Lyre Awake! | Joseph Haydn, Handel & Haydn Society, Harry Christophers | C Major | 1 | 8B | 130 BPM | ||
Die Zauberflöte, K. 620 / Act 2: "Der Hölle Rache kocht in meinem Herzen" | Wolfgang Amadeus Mozart, Albina Shagimuratova, Jory Vinikour, Chamber Orchestra of Europe, Yannick Nézet-Séguin | F Major | 3 | 7B | 142 BPM | ||
Bella porta di rubini | Andrea Falconieri, Elisabetta Pallucchi, Filippo Farinelli | F Major | 1 | 7B | 118 BPM | ||
Iphigénie en Tauride, Wq. 46 (Excerpts): Les Dieux longtemps en courroux | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Bavarian Radio Chorus | C Major | 2 | 8B | 86 BPM | ||
Don Sanche (The Castle of Love), S476/R13: Part I: Recitative and Arioso: Sous cette voute de feuillage ... (Under this foliage tent, Zelis ...) (Elzire, Don Sanche) | Franz Liszt, Gérard Garino, Julia Hamari, Istvan Gati, Katalin Farkas, Ildiko Komlosi, Mária Zádori, Gábor Kállay, Hungarian Radio and Television Chorus, Hungarian State Opera Orchestra, Tamas Pal | E Major | 2 | 12B | 90 BPM | ||
Grande Messe des Morts: XXIII. Agnus Dei: Moderato | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Minor | 0 | 5A | 132 BPM | ||
Missa brevis Sancti Joannis de Deo "Little Organ Mass" XXII:7: Benedictus - Moderato - Allegro | American Bach Soloists, Tamara Matthews, Jeffrey Thomas | E♭ Major | 0 | 5B | 76 BPM | ||
Misatango, Misa a Buenos Aires: VIII. Crucifixus | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | C Minor | 2 | 5A | 92 BPM | ||
12 Gedichte, Op. 35: No. 4. Erstes Grun | Robert Schumann, Margaret Price, James Lockhart | G Major | 0 | 9B | 85 BPM | ||
11 Zigeunerlieder (Gypsy-Songs), Op. 103: No. 7. Kommt dir manchmal in den Sinn | Johannes Brahms, Gächinger Kantorei Stuttgart, Martin Galling, Helmuth Rilling | E♭ Major | 1 | 5B | 103 BPM |