"Missa brevis Sancti Joannis de Deo "Little Organ Mass" XXII:7: Benedictus - Moderato - Allegro" by American Bach Soloists, Tamara Matthews, Jeffrey Thomas was released on September 1, 2007. Missa brevis Sancti Joannis de Deo "Little Organ Mass" XXII:7: Benedictus - Moderato - Allegro is about six minutes long, preciously at 6:07, making this song fairly long compared to other songs. The track order of this song in American Bach Soloists, Jeffrey Thomas's "Haydn Lord Nelson Mass & Little Organ Mass" album is number 17 out of 18. Missa brevis Sancti Joannis de Deo "Little Organ Mass" XXII:7: Benedictus - Moderato - Allegro is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Missa brevis Sancti Joannis de Deo "Little Organ Mass" XXII:7: Benedictus - Moderato - Allegro by American Bach Soloists, Tamara Matthews, Jeffrey Thomas to be Adagio (slowly with great expression) because the track has a tempo of 76 テンポ, a half-time of 38テンポ, and a double-time of 152 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem in B-Flat Major, MH 838: IV. Liber scriptus | Michael Haydn, Manami Kusano, Julian Pregardien, Jens Hamann, Saarbrucken Chamber Choir, Kammerphilharmonie Mannheim, Georg Grun | F♯ Minor | 0 | 11A | 69 BPM | ||
Mass No. 2 in G Major, D. 167: Gloria: Domine Deus | Franz Schubert, Claudia Reinhard, Rüdiger Ballhorn, Markus Flaig, Immortal Bach Ensemble, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | E Major | 0 | 12B | 76 BPM | ||
Messa di Gloria: II. Gloria | Giacomo Puccini, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Pablo Larraz, Orfeó Català | E♭ Major | 1 | 5B | 66 BPM | ||
Messa di Gloria, Op.posth., Sanctus & Benedictus: Benedictus qui venit in nomine Domini | Giacomo Puccini, Thomas Hampson, Antonio Pappano, London Symphony Orchestra | B♭ Major | 1 | 6B | 74 BPM | ||
Elijah, Op.70, MWV A25 / Part 1: "Lord, bow Thine ear to our pray'r!" | Felix Mendelssohn, Academy of St Martin in the Fields Chorus, Yvonne Kenny, Anne Dawson, Academy of St. Martin in the Fields, Sir Neville Marriner | A Minor | 0 | 8A | 111 BPM | ||
Rinaldo / Act 3: Coro: Vinto è sol dalla virtù | George Frideric Handel, Cecilia Bartoli, Luba Orgonasova, David Daniels, Daniel Taylor, Gerald Finley, Academy of Ancient Music, Christopher Hogwood | E Major | 2 | 12B | 132 BPM | ||
Requiem in E-Flat Minor: XI. Quia pius es - XII. Requiem aeternam | Józef Kozłowski, Singapore Symphony Orchestra, Hans Graf, Singapore Symphony Chorus & Youth Choir, Olga Peretyatko, Olesya Petrova, Boris Stepanov | E♭ Major | 0 | 5B | 167 BPM | ||
Herz und Mund und Tat und Leben, Cantata BWV 147: 10. Choral: "Jesus bleibet meine Freude" | Johann Sebastian Bach, Jane Bryden, Drew Minter, Jeffrey Thomas, Jan Opalach, The Bach-Ensemble, Joshua Rifkin | D Major | 0 | 10B | 138 BPM | ||
Messiah, HWV 56: Part 2: Behold, and see if there be any sorrow (Arioso) | Nikolaus Harnoncourt | E♭ Minor | 1 | 2A | 93 BPM | ||
Gluck: Orphée et Eurydice, Wq. 41, Act 1 Scene 1: Choeur, "Ah! dans ce bois tranquille et sombre" (Nymphes, Bergers) | Christoph Willibald Gluck, Monteverdi Choir/Orchestre de l'Opéra National de Lyon/Sir John Eliot Gardiner, John Eliot Gardiner, Orchestre De L'Opéra National De Lyon | C Minor | 1 | 5A | 81 BPM |